Virginians Ralph and Carter Stanley, the Stanley Brothers, took the traditional Appalachian string band songs of their home and updated them into a traditionally rooted modern bluegrass sound that was singular for its authentic tone, no-frills simplicity, and at times haunting and astonishing beauty, the very model of the high lonesome sound. This expansive four-disc, 111-track box covers the later part of the middle period of their recording career, collecting virtually every side the brothers recorded for the King record label between 1961 and 1965. That's a whole lot of Stanley Brothers, but the musical quality, integrity, and execution of this storied duo never waver here, and indeed, they never really did waver one bit any time the two of them stepped in front of the microphones.
You thought Marcus Miller and Jaco and Stanley Clark were funky? They are indeed but they don't play the double bass. Brian Bromberg displays absolute chops that Charles Mingus would have wanted. Akira Jimbo as usual with his unbelievable groove keeps the whole album going and Otomaro Ruiz is one hell of a pianist. With this CD you CAN'T go wrong.
Third album by this Italian prog band that circled around Alberto Radius, Gabriele Lorenzi, and drummer Toni Cicco. Radius and Lorenzi were later members of IL VOLO. "Sognando e Risognando" is said to be their most progressive and best album…
2014 Official Release, only available as an Import. The final concert was recorded in Dortmund, Germany on December 21, 1986. Available in very limited quantities. Features the last performance of Jaco Pastorius. Japanese original release. This live album, recorded in Dortmund, Germany, Dec 12, 1986, is Jaco's memorable last performance in his life. Jaco at the time was vibrant, good in health, and played well. The recording plan as The Holy Ghost, power trio with a gutarist and a drummer, was in progress with MCA Records at the same time. Jaco stated "Although I have played in many form of bands like Wheather Report, Word of Mough Big band, sextet, I am now having fun with trio. I expect I can create new sound with lots more space."
Percussion Of India is a 1992 album by the Percussion Ensemble 'Laya Lavaniya'. This was released by Seven Seas via King Records in Japan. This album is contained typical south Indian's mridangam by U.K. Sivaraman, percussion ensemble featuring kanjira V. Nagarajan, drums gharam, jew's harp morsing, konnakol beated rhythms with voice, drums in northern India tabla, pakhawaj and so on.
This disc is a welcome addition to the discography of the now almost forgotten woodwind master Joe Farrell. Farrell was a multi-instrumentalist who chose to concentrate on tenor and soprano saxophones and flute. From the late 1960s onwards he was a highly sought after session player who appeared on many of the most significant recordings right until his early demise in 1986. He played with the Elvin Jones Trio, Chick Corea's Return To Forever and the earliest editions of Mingus Dynasty.
Long forgotten and unknown short-lived Japanese prog act,led by ex-Dada leader Izumi Mutsuhiko.The band was formed in early-80's after the demise of Dada with Mutsuhiko leaving behind the Electronic territory to explore some synth-driven Fusion field.By mid-80's the rest of the band featured Usami Hitoshi on drums, Ito Koji on sax and keyboardistand Kitaoka Atsushi.Their debut ''Twinkling NASA'' was released in 1986 on King Records with tracks recorded between 1981 and 1985,as a result two more keyboardists are featured on the sleeve notes,Fukami Seiichi and Senba Motoi.Mutsuhiko himself handles all guitars,synthesizers and electronic effects.
This is one of the beauties of the Japanese progressive rock. PAGEANT was formed in '81 by guitarplayer Ikkou Nakajima, singer/keyboard player Hiroko Nagai, bass player Nagashima and drummer Hideaki Indou. In '85 they appeared on a Japanese progrock compilation entilted "Progressive Battle" and one year later PAGEANT released their debut-album "La Mosaïque de la Rêverie", a 'classic'. The band was completed by Kazuhiro Miyatake (flute and electric guitar) and Nobuyuki Nagashima (bass) on those records. The second album "Abysmal Masquerade" appeared in '87 and two years followed by the third record entitled "The Pay for a Dreamer's Sin". On this album Hiroko Nagai and Hideaki Indou remained from the original line-up, Kazuhiro Miyatake played flute on two tracks and the band's new guitarplayer became Hiroyuki Maeno.
Super funky sax, in a lineup that's also got plenty of great electric touches too – all put together by CTI/Kudu maestro Dave Matthews – and featuring David Sanborn, Michael Brecker, and Ronnie Cuber as the sax players in the title! The group's got a nice vibe that has the three horns taking off in then lead – then splitting out into well-stated solos – while grooves feature David Spinozza on electric guitar, and Don Grolnick and Cliff Carter on keyboards – all of whom, like the reedmen, still hang onto the warmer styles of 70s fusion. Titles are all Matthews originals.
Bill Doggett, born in Philadelphia, became a pianist in Jimmy Gorham's Band in 1935, and the band's leader in 1938. He soon relinquished the position to Lucky Millinder, though remaining with the band until 1949 when he suc-ceeded Bill Davis in Louis Jordan's Tympani 5. In 1952 he began fronting his own combo, recording prolifically for King over some nine years, the peak of which came in 1956 with 'Honky Took', a jogging instrumental featuring Clifford Scott's sax and Billy Butler's deft guitar. A succession of smaller hits followed before Doggett moved to Warner in 1961. He has subsequently recorded for Columbia, Sue, ABC and Roulette.