"my Rebbe" "steinsaltz"

My Morning Jacket release their ninth studio album. The band’s first new music since 2015’s Grammy Award-nominated The Waterfall, My Morning Jacket reaffirms the rarefied magic that’s made My Morning Jacket so beloved, embedding every groove with moments of discovery, revelation, and ecstatic catharsis.

In 1968, at age 14, he had learned how to play guitar, formed his own band and three years later released an album whom many still consider a psychedelic Krautrock classic. Not bad for a small-town German boy who is now producer, composer and music lecturer at Maintz University. He is Bernhard Rendel, founder of My Solid Ground; the other band members were keyboard player Ingo Werner, bassist Karl-Heinrich Dorfler and drummer Andreas Wursching. In 1970, at the Morfelden Studio in Frankfurt, they recorded a short track ("Flash") that won second place in an amateur competition hosted by Sudwestfunk (SWF) Radio. A year later, they released their album with nationwide success. Despite this, some of the band members started to quit and Rendel suddenly found himself with a totally new line-up…

The second release in My Morning Jacket's MMJ Live series. Recorded live at the Auditorium Theatre in Chicago on November 11, 2021, it features a setlist of career highlights recent tracks, "Love Love Love," "Complex," and "Never in the Real World," to classics such as "Dondante," "Mahgeetah," and "Phone Went West."

Released in 2013 under the name ME AND MY KITES, 'Like a Dream Back Then' was a collaborative effort headed by David Smedmyr (OUR SOLAR SYSTEM, LÜÜP) and comprised of fellow Swedish acts LISA O PIU, LIFE ON EARTH!, ANNAMY, PROMISE AND THE MONSTER, CIRRUS WINERY, A, JENNIE STABIS, LAIKE, SIRI KARLSON and LOST IN RICK'S WARDROBE. The album is a throwback to a couple generations of Swedish psychedelia and folk with sometimes vague pop aspirations. The music will likely appeal to all manner of progressive and weird music fans. The group has made several live appearances post album release.

My Morning Jacket, touring behind It Still Moves, took the stage at Bonnaroo on a scorching day in the summer of 2004. Ominous dark clouds rolled in early in the performance. "I'll never forget it," reflected Jim James, "We're playing, and the sky just rips open and rain starts pouring down. People are losing their minds… Everybody is petrified that we're going to get electrocuted, but it was such a transcendent moment that we just didn't care." It would become one of the festival’s most iconic sets.

My Dying Bride is a veteran English doom and gothic metal band known for serpentine compositions, dark, brooding atmospherics, beautifully produced recordings and a theatrical stage presence. Though they began as a "slower-than-usual" death metal band with brutal recordings such as 1993's As the Flower Withers and Turn Loose the Swans, the slow, dark, atmospherically brooding nature of their later recording such as 1999's The Light at the End of the World and 2001's The Dreadful Hours were invested with both classical and romantic themes, and found them ushering in gothic metal; they were also a prime influence on the second wave of doom metal alongside Anathema and Paradise Lost, the so-called "Peaceville Three" (all three bands were signed to the label at the time).

One of the most renowned and uncompromising entities working in 21st century avant-garde Arab-Levantine art and music, Jerusalem In My Heart presents a new album of vital and haunting electronics and electroacoustics, framed by founder and producer Radwan Ghazi Moumneh’s spoken and sung Arabic, buzuk-playing and sound design. Qalaq is the most distilled, variegated and finely wrought Jerusalem In My Heart album to date – featuring a different guest/collaborator on every track, yet as cohesive, emotionally resonant, sonically adventurous and narratively powerful as any release in JIMH’s celebrated discography. Guests across the album's 13 tracks include Moor Mother, Tim Hecker, Lucrecia Dalt, Greg Fox, Beirut, Alanis Obomsawin, Rabih Beaini and many more.