To mark the 30th anniversary of the album, the band opened up the archives to assemble a special bonus edition including a wealth of rare and unreleased recordings.
Camouflage entered the synth pop game when most people had already moved on, which spelled trouble for their 1989 sophomore album. The total absence of acknowledged humor in Camouflage's material contrasted sharply with the vibrancy of the ensuing decade, and the album's widening addition of violins, saxophones, and guitars couldn't prevent the band from being forced into a prematurely outdated pigeonhole. In hindsight, this was the LP's biggest problem. "On Islands" and "One Fine Day" were sweet, multi-textured pop that swayed like a hammock strung between industrial pylons…
Blank & Jones hit double figures with their long running SoEighties series, with the announcement of so80s 10, another three-disc compilation of extended versions of from the best decade in pop, the 1980s. The tenth edition in this series contains over 30 remixes including the near 12-minute long version of the Sisters Of Mercy This Corrosion, Pat Benatar’s Love Is A Battlefield, and Laura Branigan’s Self Control. Sade make a rare outing on a remix compilation with the extended version of Sweetest Taboo, and the Pet Shop Boys‘ Love Comes Quickly, which somehow peaked at a lowly number 19 in the UK back in the day, is included in full-length Shep Pettibone Mastermix guise.
Amid the ever-growing tide of Deep Purple box sets (this was at least their eighth in nine years), Listen Learn Read On stands alone, not only as the ultimate round-up of the band's greatest moments, but also as the answer to more collectors' dreams than most collectors were even aware they'd had. You want Deep Purple's long-legendary, but forever unavailable BBC sessions? They're here. You want the killer live encores that other albums omitted? They're here. You want a solid introduction to the band members' pre-Purple passages? They're here. And, of course, you want the hits. So they're here as well…
Biosphere is the main recording name of Geir Jenssen, a musician who has released a notable catalog of ambient electronic music. He is well known for his "ambient house" then "arctic ambient" styles, and his use of music loops and peculiar samples from sci-fi sources. His track "Novelty Waves" was used for the 1995 Levi's ad campaign. His 1997 album Substrata is generally seen as one of the all-time classic ambient albums…
Several months after the innovative remake of "You Keep Me Hanging On," England's answer to Vanilla Fudge was this early version of Deep Purple, which featured vocalist Rod Evans, and bassist Nick Simper, along with mainstays Ritchie Blackmore, Jon Lord, and Ian Paice. This, their second album, followed on the heels of "Hush," a dynamic arrangement of a Joe South tune, far removed from the flavor of one of his own hits, "Walk a Mile in My Shoes." Four months later, this album's cover of Neil Diamond's Top 25, 1967 gem "Kentucky Woman," went Top 40 for Deep Purple. Also like Vanilla Fudge, the group's own originals were creative, thought-provoking, but not nearly as interesting as their take on cover tunes…
Camouflage entered the synth pop game when most people had already moved on, which spelled trouble for their 1989 sophomore album. The total absence of acknowledged humor in Camouflage's material contrasted sharply with the vibrancy of the ensuing decade, and the album's widening addition of violins, saxophones, and guitars couldn't prevent the band from being forced into a prematurely outdated pigeonhole. In hindsight, this was the LP's biggest problem. "On Islands" and "One Fine Day" were sweet, multi-textured pop that swayed like a hammock strung between industrial pylons, while "Rue de Moorslede" regaled itself with a taut instrumental of circus organs, filtered horns, and the recurring sound of doors slammed shut…
Death metal, as a genre, hasn’t made too many leaps since its birth into the field. But like the old saying goes, “if it ain’t broke, don’t fix it”, and Massacre’s new piece takes that motto to heart with their new album Back From Beyond…