"timewatch" Uncle Ho And Uncle Sam

Uncle John Turner was born and raised in Port Arthur, Texas. He first played drums with Jerry LaCroix. Unc met the Winter brothers and performed with them a few times as a substitute. In 1968, Unc convinced Johnny to try a full blown blues band and sent for his friend Tommy Shannon to play bass. This group quickly got natonal recognition and began making records and shortly after that played Woodstock, with Edgar Winter as the fourth member. By late 1970, they had split up and Uncle John and Tommy moved to Austin and formed a band called Krackerjack, which had Stevie Ray Vaughan as one of the major guitarists, along with Jesse Taylor, John Stahely, and Robin Syler. But later in the seventies he was playing with the legendary Johnny Winter again, and this record is testament to the blues magick these two great bluesmen could produce when they put their mind to it.

Master Series is the title of a line of greatest hits albums, released in European countries. In 1996 was released in this series also album the best hits of Sam Brown. Great things have been predicted for British vocalist and keyboardist Sam Brown. Her debut album, Stop!, reached the Top Four on the British music charts, sold more than two-and-a-half million copies, and included two hit singles, "Stop" and "This Feeling." She worked as a session backing vocalist, working with artists such as Small Faces, Spandau Ballet, Adam Ant, Jon Lord (of Deep Purple), Pink Floyd (also David Gilmour), The Firm, Gary Moore, George Harrison and Nick Cave. Brown released her debut album Stop! in 1988. Since then, she has released five studio albums, one EP and three compilation albums.

The Room is a collection of folkloric pieces from various regions around South America, as interpreted by Fabiano do Nascimento and Sam Gendel, on 7-string nylon guitar and soprano saxophone, respectively. Presented with purity and focus, soaring and lamenting, this album presents a unique journey through lesser-known musical landscapes and traditions stretching from Argentina to the Amazon.

All 20 of the Lucky Millinder Orchestra's valuable 1941-1942 recordings are on this recommended CD. Millinder himself was not a musician and his only vocal here is mostly shouting on "Ride, Red, Ride," but he was an effective bandleader and frontman. Other than a couple of World War II propaganda songs, the music on these sessions emphasizes swing, and several notable artists are featured. Sister Rosetta Tharpe (who also played excellent guitar) has six rollicking showcases, and among the soloists are clarinetist Buster Bailey, tenorman Stafford Simon, pianist Bill Doggett, and (on the final four songs) altoist Tab Smith and the rapidly emerging trumpeter Dizzy Gillespie. On "Little John Special," Dizzy quotes directly from the as-yet-unwritten "Salt Peanuts." Other highlights include "Rock Daniel," "Apollo Jump," "Rock Me," "That's All," and "Mason Flyer."

Although Chess didn't bother to anthologize these sides into album form until the early '60s, this marvelous collection actually dates from 1953. Broonzy and Sam are both in great form here, sharing the vocals throughout and recalling their earlier days as Bluebird label and session mates. The sound is fleshed out by the addition of guitarist Lee Cooper (who at times almost sounds a bit too modern for the genre being explored here, throwing in what can only be described as Chuck Berry licks) and Big Crawford on upright bass.