"doug Gray"

Certification in Applied Functional Science (CAFS) gives movement professionals the skills and knowledge to approach each individual according to their unique goals and daily function. Combining the principles of Applied Functional Science with your existing skill sets and experience, learn how to take an individualized approach to program design and create truly functional programs for your clients.

Legendary blues pianist Henry Gray has collaborated with harmonica ace Bob Corritore since 1996. This first volume presents a 14 song selection recorded over a 19-year period. Henry sings 9 of these selections and Robert Lockwood Jr. , John Brim, Nappy Brown, Tail Dragger and Dave Riley provide one vocal each. Joining the proceedings are a rotating lineup of some of the blues' greatest musicians, including Bob Margolin, Kid Ramos, Kirk Fletcher, Big Jon Atkinson, Chris James, Patrick Rynn, Bob Stroger, Chico Chism, June Core, Doug James and many more, for a program of fully-realized songs that alternate between rollicking, partying jumps and shuffles to the deepest of blues!

Mobley's 2nd Message is an album by jazz saxophonist Hank Mobley. It was recorded on July 27, 1956, one week after Mobley's Message, and features performances by Mobley, Kenny Dorham, Walter Bishop, Doug Watkins and Art Taylor.

Maybe not exactly the first Dizzy that comes to mind when discussing jazz, this Jamaican-born, British-raised trumpeter overcame whatever burdens that nickname may have wrought to become a highly respected player in the New York scene. He enhanced that rep by recording some truly excellent albums for the Savoy, Blue Note and Prestige labels among others. His robust and passionate playing styles always seemed to inspire other musicians in his company. The contributions of the esteemed trio invited; pianist Walter Bishop, Jr., bassist Doug Watkins and drummer Art Taylor unilaterally match the front man's fire and bold approach to each tune.

Taking a page from their Capricorn Records labelmates and Southern rock contemporaries the Allman Brothers, the Marshall Tucker Band issued a self-titled debut blending the long and winding psychedelic and jam band scene with an equally languid and otherwise laid-back country-rock flavor. Into the mix they also added a comparatively sophisticated jazz element – which is particularly prominent throughout their earliest efforts.

Altoist Jackie McLean's second session as a leader is reissued on this SACD. The music that he makes with trumpeter Donald Byrd, pianist Elmo Hope, bassist Doug Watkins and drummer Art Taylor is essentially hard bop with fairly simple (or in some cases nonexistent) melody statements preceding two romps through the "I Got Rhythm" chord changes, a pair of blues, a thinly disguised "Embraceable You" and a straightforward version of "A Foggy Day". Enjoyable if not really essential music from the up-and-coming altoist.

Maybe not exactly the first Dizzy that comes to mind when discussing jazz, this Jamaican-born, British-raised trumpeter overcame whatever burdens that nickname may have wrought to become a highly respected player in the New York scene. He enhanced that rep by recording some truly excellent albums for the Savoy, Blue Note and Prestige labels among others. His robust and passionate playing styles always seemed to inspire other musicians in his company. The contributions of the esteemed trio invited; pianist Walter Bishop, Jr., bassist Doug Watkins and drummer Art Taylor unilaterally match the front man's fire and bold approach to each tune.