"maurece Schiller"

Morgenstund is the tenth studio album of the music project Schiller created by the German electronic musician Christopher von Deylen. The album was released on 22 March 2019. On this album, Schiller has collaborated with the singers Nena, Tricia McTeague, Yalda Abbasi, Schwarz, Jhyve and Rebecca Ferguson, the musicians Giorgio Moroder and Jan Blomqvist and the music group Tangerine Dream. It was released in different editions, including the limited "Ultra Deluxe Edition". A new studio album was originally scheduled for autumn 2018. The album was produced between 2017 and 2018. On 3 September 2018, Schiller announced officially the release of a new album and the rescheduling of the release date to spring 2019.

With Voyage, Schiller combines the elation and clarity of Chicane, Banco de Gaia, and German trance with the low-key tenor of major-label new age. The music is largely painted with rich hypercolor, lots of fertile blues and jades, but stacked with vocalists who, like Kim Sanders in the pop-leaning "Dancing With Loneliness," tend to weigh down the plush ideals of the band's not unpleasant energies. When the instrumentals take precedence, Schiller reasserts itself as a self-important electronic act that really should be nothing else. "Solitude," and in fact much of the album, may as well be Enigma's "Sadeness" with island trimmings instead of Gregorian frost.

The man is a genius, Electronic and Orchestra playing together as one and it works like a dream. Listen to "Beyond The Horizon", very catchy and will have you humming the tune for weeks…

"My name is Christopher von Deylen - and I am Schiller." At some point during every Schiller concert, von Deylen speaks these ten words and the crowd goes wild. Schiller’s ethereal “global pop”, as his fans and the press have coined the style, gives the listener a feeling of floating in a dream world. Inspired by electronic classics such as Tangerine Dream, Kraftwerk, and Jean-Michel Jarre, von Deylen is known for creating visionary sounds that are way ahead of their time.
"Timeline: The Very Best of 1998-2011" looks back on Schiller’s accomplishments through the years as it chronicles the best and most important songs of Schiller’s career - compiling noteworthy tracks from prior albums such as Zeitgeist, Voyage, Day and Night, and Desire. Guest artists include Nadia Ali, Colbie Caillat, Chinese pianist Lang Lang, Indonesian-French artist Anggun, and more.

Symphonia is a live album of the music project Schiller, created by the German electronic musician Christopher von Deylen. The album was released on October 17, 2014. The album is a live recording of the "Schiller meets Classic" open air concert with the Berlin Symphonic Pop Orchestra at the Classic Open Air 2014 event on the Gendarmenmarkt in Berlin. The orchestra consisted of 60 musicians. On this album Schiller has collaborated with the singers Midge Ure, Jaël Malli, Eva Mali and Der Graf from Unheilig. The album reached in its first week number 4 of the German albums chart.

Live Erleben is the first live album from German electronical musician, composer and producer Christopher von Deylen under his Schiller alias. As with Sehnsucht Live, the performances on Live Erleben often add a little dramatic flair to their studio-album counterparts, thought the mood remains relaxing. The highlights here tend to feature vocal collaborations, as heard on “Delicately Yours” and “Distance” (both with Kim Sanders), “The Smile” (with Sarah Brightman), and “I’ve Seen It All” (with Maya Saban), and plenty of in-rhythm handclaps from the audience. The album achieved gold status in Germany in 2016.

Ambient/downtempo is not the style primarily associated with conceptual symphonies, but the one-man project Schiller (Christopher von Deylen) pulls it off remarkably well on Atemlos (Breathless), mostly by a clever mix of different types of musical material. The atmospheric bits that form the majority of Atemlos are tempered by straight-on Europop recorded with the help of guest vocalists, all of whom recite their lines in slightly pompous half-whispers typical for new age, but still to good result: the otherworldly-but-catchy dance pieces - with the occasional bit of pop/rock instrumentation - go a long way toward explaining why the record charted in the German Top Three…