"peter Skellern" Yours

In this instance, "deluxe collection" denotes six songs that blues guitarist Peter Malick recorded with vocalist Norah Jones before she hit it big, a (previously released) EP's worth of material padded here into a two-disc, 31-cut set of radio edits, club mixes, dub mixes, and DJ remixes, with only eight of them previously unreleased. (There are nine versions of the set-opening "New York City" alone.) The material stretches itself pretty thin, as the equal billing given Jones with Malick (the only two members of the "Peter Malick Group" who appear throughout) aims to attract Norah Jones completists or tempt those who might confuse this with one of her own releases.

In this instance, "deluxe collection" denotes six songs that blues guitarist Peter Malick recorded with vocalist Norah Jones before she hit it big, a (previously released) EP's worth of material padded here into a two-disc, 31-cut set of radio edits, club mixes, dub mixes, and DJ remixes, with only eight of them previously unreleased. (There are nine versions of the set-opening "New York City" alone.) The material stretches itself pretty thin, as the equal billing given Jones with Malick (the only two members of the "Peter Malick Group" who appear throughout) aims to attract Norah Jones completists or tempt those who might confuse this with one of her own releases.

In this instance, "deluxe collection" denotes six songs that blues guitarist Peter Malick recorded with vocalist Norah Jones before she hit it big, a (previously released) EP's worth of material padded here into a two-disc, 31-cut set of radio edits, club mixes, dub mixes, and DJ remixes, with only eight of them previously unreleased. (There are nine versions of the set-opening "New York City" alone.) The material stretches itself pretty thin, as the equal billing given Jones with Malick (the only two members of the "Peter Malick Group" who appear throughout) aims to attract Norah Jones completists or tempt those who might confuse this with one of her own releases.

One of England's great guitar prodigies grew up to have an iconic career in rock. Here are his live hits Do You Feel Like We Do; Show Me the Way , and Baby, I Love Your Way ; studio hits Signed, Sealed, Delivered (I'm Yours); I Can't Stand It No More and more!

Two of Peter & Gordon's early albums, Woman and Lady Godiva, were combined on this single-CD reissue by Collectables.
Woman (1966). There's but one original on this album, and maybe it's no coincidence that this effort, "Wrong From the Start," is the best song on the LP other than "Woman." "Wrong From the Start" is nothing great, but at least it's straight-ahead period rock with organ. Most of the album, in contrast, nearly drowns in fatuous orchestral production. The selection of cover material isn't much better, sometimes giving the impression the pair was trying for the all-around entertainment market, including as it did songs like "Somewhere" (from West Side Story)…

For most artists recording a Christmas record is a convenient stop-gap in between releasing new material. In Peter Cetera's case this doesn't ring true as it has been a while since we last heard from one of soft rock's most distinctive crooners. You Just Gotta Love Christmas brings to the table everything you'd expect from a Peter Cetera record: lush, pleasant arrangements with crisp, warm, polished production and able musicanship from a crew of veteran session players. It's a mix of holiday favorites mixed in with a few originals and some guest appearances from Alison Krauss and Peter's daughter Claire; who is more than up to the task of singing with her father on two of the album's 12 tracks. Cetera and Chicago fans will no doubt enjoy having this on in the background during the holidays.