"raffaella Fico"

Best SAP FICO Tutorial For Beginners & Freshers (SAP ERP)  eBooks & eLearning

Posted by lucky_aut at Nov. 28, 2022
Best SAP FICO Tutorial For Beginners & Freshers (SAP ERP)

Best SAP FICO Tutorial For Beginners & Freshers (SAP ERP)
Duration: 47:44:39 | .MP4 1280x720, 30 fps(r) | AAC, 44100 Hz, 2ch | 20.3 GB
Genre: eLearning | Language: English [Auto]

sap fico training , sap fico certification, sap fico consultant, sap finance, sap fico end user, sap fi, sap fico videos

SAP FICO For Beginner With Simple Explanation  eBooks & eLearning

Posted by ELK1nG at Feb. 12, 2021
SAP FICO For Beginner With Simple Explanation

SAP FICO For Beginner With Simple Explanation
MP4 | h264, 1280x720 | Lang: English | Audio: aac, 44100 Hz | 45h 6m | 19.4 GB

The course covers both configuration and end-user processes for SAP FICO module

SAP FICO (Finance & Controlling ) + S/4 HANA Config Changes  eBooks & eLearning

Posted by Sigha at Sept. 29, 2020
SAP FICO (Finance & Controlling ) + S/4 HANA Config Changes

SAP FICO (Finance & Controlling ) + S/4 HANA Config Changes
Video: .mp4 (1280x720, 30 fps(r)) | Audio: aac, 44100 Hz, 2ch | Size: 13.2 GB
Genre: eLearning Video | Duration: 167 lectures (35 hour, 51 mins) | Language: English

Exclusively designed SAP FI CO Training for Beginners /SAP Financial Accounting End-Users to become SAP Consultant

«La masnà» by Raffaella Romagnolo  Audiobooks

Posted by kabino at March 29, 2021
«La masnà» by Raffaella Romagnolo

«La masnà» by Raffaella Romagnolo
Italiano | ASIN: B08XQXJFRK | MP3@128 kbps | 11h 13m | 617 Mb

«Tutta questa vita» by Raffaella Romagnolo  Audiobooks

Posted by kabino at May 4, 2021
«Tutta questa vita» by Raffaella Romagnolo

«Tutta questa vita» by Raffaella Romagnolo
Italiano | ASIN: B091CGQK57 | MP3@128 kbps | 6h 35m | 362.87 Mb
Raffaella Milanesi, Accademia Ottoboni - Antonio Vivaldi: Cupido tu vedi (2010)

Raffaella Milanesi, Accademia Ottoboni - Antonio Vivaldi: Cupido tu vedi (2010)
EAC | FLAC | Tracks (Cue & Log) ~ 333 Mb | Total time: 68:08 | Scans included
Classical | Label: Stradivarius | # STR 33856 | Recorded: 2008

The peculiar feature of this record is the great variety of the musical styles represented: instrumental and vocal music, very-well known concertos and other less famous ones of different soloists. A release that finds its strength in the specific expressive nature of Vivaldi’s genius that gave cohesiveness to pieces conceived years apart and for different occasions. The brilliant Italian soprano Raffaella Milanesi shares the stage with the soloists of Accademia Ottoboni, an ensemble that performs early music using original period instruments or copies. The ensemble originates from Rome and consists of musicians of the most recent generation active in the international scene.

«Agenda» by Raffaella Iannaccone  Audiobooks

Posted by kabino at Sept. 30, 2020
«Agenda» by Raffaella Iannaccone

«Agenda» by Raffaella Iannaccone
Italiano | ASIN: B08JMCXMTC | MP3@128 kbps | 40m | 37.89 Mb
«365 giorni senza di te. Seconda parte» by Anna Bells Campani; Raffaella Di Girolamo

«365 giorni senza di te. Seconda parte» by Anna Bells Campani; Raffaella Di Girolamo
Italiano | ASIN: B09642Q9MF | MP3@128 kbps | 11h 18m | 622.16 Mb

For Men Magazine - Raffaella Modugno - Calendario 2017  Graphics

Posted by crazy-slim at April 7, 2022
For Men Magazine - Raffaella Modugno - Calendario 2017

For Men Magazine - Raffaella Modugno - Calendario 2017
Italiano | 16 pages | True PDF | 24 MB
Raffaella Milanesi, Romabarocca Ensemble - Badia: Cantate per soprano e continuo (2024) [Official Digital Download 24/48]

Raffaella Milanesi, Romabarocca Ensemble, Renato Criscuolo & Lorenzo Tozzi - Badia: Cantate per soprano e continuo (2024)
FLAC (tracks) 24-bit/48 kHz | Front Cover | Time - 65:21 minutes | 627 MB
Classical, Vocal | Label: Tactus, Official Digital Download

Carlo Agostino Badia was one of the many Italian musicians making his fortune at the court of Vienna where he was hired as a composer in 1694. We have no news about his education, but the musical historiography is mentioning about his great compositional period lasting forty-four years at the service of the emperors Leopold i and Joseph i, in which he produced in large quantities cantatas, melodramas and oratorios greatly appreciated at the Austrian court. From his musical writing it is clear how he was a “ferryer” of that late Baroque (followed by Antonio Caldara who succeeded him at the Viennese court) anticipating the forms of the imminent galant style.