[pdf] Jelly's Blues: The Life, Music And Redemption of Jelly Roll Morton

This CD actually starts off with 14 selections that predate the Victors. Several of the early selections (such as the first four numbers, which include cornetist Lee Collins and trombonist Roy Palmer and "Soap Suds") are a bit disappointing due to the low-level recording quality. However, "My Gal" does have some good clarinet work from the underrated Volly DeFaut, there are four superb piano solos (including "The Pearls" and the definitive solo version of "King Porter Stomp"), and blues singer Edmonia Henderson is excellent on "Dead Man Blues" and "Georgia Grind." Despite these highlights, it is the final nine numbers on this disc that are most memorable. Morton is heard with his finest group, a septet with cornetist George Mitchell, trombonist Kid Ory, and clarinetist Omer Simeon…

Part of Classics' excellent chronological series, this examines Jelly Roll's recordings from 1923 to 1924, beginning with a Paramount single with his orchestra, "Big Fat Ham," followed by "Muddy Water Blues." Next up are the first six issued Gennett piano solos, then stray singles by Morton's Jazz Band, Steamboat Four, and Stomp Kings. These are proceeded by four more piano solo sides, which were cut for Paramount, before finishing out with a marathon piano solo session for Gennett in 1924.