Picking up where 1962-1966 left off, the double-album compilation 1967-1970, commonly called The Blue Album, covers the Beatles' later records, from Sgt. Pepper's through Let It Be. Like The Red Album, The Blue Album was released in the wake of a pair of widely advertised quadruple-LP bootlegs, Alpha Omega, Vols. 1-2: The Story of the Beatles, which had appeared early in 1973. And like its companion volume, this set contains a mixture of hits, including singles like "Lady Madonna," "Hey Jude," and "Revolution" – which had originally appeared only as 45s – plus important album tracks like "Lucy in the Sky with Diamonds," "A Day in the Life," "While My Guitar Gently Weeps," and "Come Together," as well as orphaned tracks such as the single versions of "Let It Be" and "Get Back," which had never been on any LP before.
The title is Romantic Adagios II. The description is "Over 2 1/2 hours of the world's most passionate music." What these are, in other words, are two discs of seduction music, which is fine. Using music for seductive purposes is the oldest ploy in the world. From Orpheus up to Ol' Blue Eyes, music hath charms to arouse, inflame, and incite lascivious and lubricious behavior. The whole purpose of this disc is to ensure a successful seduction. It sure isn't because sticking all of these Adagios together doesn't make any sort of musical sense.
The Brodsky Quartet presents this second volume in its exploration of Brahms’s complete string quartets. The first, which also featured the Clarinet Quintet with Michael Collins, received numerous enthusiastic reviews, The Guardian praising the players for their ‘immaculate’ performance. The String Quartet, Op. 51 No. 1, featured here, was written alongside its contrasting companion, Op. 51 No. 2. Both were finally published in 1873 after having been held back for years by a typically self-doubting Brahms, until he had brought them to his own high standards of perfection.
Gathered here, the three discs with Felix Mendelssohn’s symphonies recorded in 2007 and 2008 by Andrew Litton and his Bergen Philharmonic Orchestra were warmly received by the reviewers when they were first released.