[pdf] Windsock Datafile No. 075 Ago C.i

Nocturne No.20 in C-sharp minor (Posthumous)  Sheet music

Posted by Salieri at Feb. 22, 2021
Nocturne No.20 in C-sharp minor (Posthumous)

Nocturne No.20 in C-sharp minor (Posthumous)
5 pages | PDF | 0.3 MB

Gotha G.I (Windsock Datafile 83) (repost)  eBooks & eLearning

Posted by Димарик at May 20, 2017
Gotha G.I (Windsock Datafile 83) (repost)

Gotha G.I (Windsock Datafile 83)
2000 | ISBN: 1902207254 | English | 40 Pages | PDF | 6 MB

Bristol Scouts (Windsock Datafile 44)  eBooks & eLearning

Posted by sawk2x at Feb. 22, 2019
Bristol Scouts (Windsock Datafile 44)

Bristol Scouts (Windsock Datafile 44)
1994 | ISBN: 0948414596 | English | 41 Pages | PDF | 33,4 MB

Martinsyde Elephant (Windsock Datafile 70)  eBooks & eLearning

Posted by sawk2x at March 6, 2019
Martinsyde Elephant (Windsock Datafile 70)

Martinsyde Elephant (Windsock Datafile 70)
1998 | ISBN: 1902207033 | English | 20*2 Pages | PDF | 74,4 MB
Krystian Zimerman - Beethoven Piano Concerto No. 1 in C Major, Op. 15 (2020) [Official Digital Download 24/96]

Krystian Zimerman - Beethoven Piano Concerto No. 1 in C Major, Op. 15 (2020) [Official Digital Download 24/96]
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 33:54 minutes | 612 MB
Classical | Label: Deutsche Grammophon (DG), Official Digital Download

Krystian Zimerman, Sir Simon Rattle, and Ludwig van Beethoven: three exceptional musicians and five great piano concertos are brought together for a landmark recording. Over 30 years ago, in 1989, Krystian Zimerman and Leonard Bernstein recorded Beethoven’s Piano Concertos Nos. 3, 4 and 5
Simon Standage, Academy of Ancient Music - J.C. Bach: Overture, Adriano in Siria; Symphonies; Sinfonia Concertante (1994)

Simon Standage, Academy of Ancient Music - Johann Christian Bach: Overture, Adriano in Siria; Symphonies; Sinfonia Concertante in C major (1994)
EAC | FLAC | Tracks (Cue & Log) ~ 305 Mb | Total time: 65:10 | Scans included
Classical | Label: Chandos ‎| CHAN 0540 | Recorded: 1993

Chandos Chaconne's J.C. Bach: Overture "Adriano in Siria" features the Academy of Ancient Music under Simon Standage in four symphonies (one is an overture; for Bach there was no difference between the structure and function of these two forms) and the Sinfonia Concertante in C major, T. 289/4. The last-named work is the best music here; a loving realization featuring soloists Rachel Brown (flute), Frank de Bruine (oboe), and conductor Standage (violin) combining in pleasing harmony while managing to shine individually. This is exactly what Bach had in mind when he wrote the music, and this performance is to be preferred over the only other recording of the work on Capriccio.
Georgisches Kammerorchester Ingolstadt - Haydn: Symphony No. 25 in C Major, Hob.I:25 - Mayr: Piano Concertos Nos. 1 & 2 (Live)

Georgisches Kammerorchester Ingolstadt - Haydn: Symphony No. 25 in C Major, Hob.I:25 - Mayr: Piano Concertos Nos. 1 & 2 (Live) (2020)
WEB FLAC (tracks) - 217 MB | Tracks: 9 | 52:37 min
Style: Classical | Label: ARS Produktion

Containing two World Premiere Recordings, this new recording on SACD celebrates Johann Simon Mayr (1763-1845). Revered and valued by Rossini and Verdi, for a long time he was known only as Donizetti's teacher. Happily, his oeuvre have undergone a welcome renaissance in recent years and these world premiere recordings are no exception. The Belgian-Israeli pianist Edna Stern and the Georgisches Kammerorchester (Chamber Orchestra) Ingolstadt under Ruben Gazarian present piano concertos nos.1&2.
Bruno Walter - Mahler: Symphony No. 2 in C Minor "Resurrection" (2024) [Official Digital Download 24/48]

Bruno Walter - Mahler: Symphony No. 2 in C Minor "Resurrection" (2024)
FLAC (tracks) 24-bit/48 kHz | Front Cover | Time - 80:39 minutes | 494 MB
Classical | Label: Fra Bernardo, Official Digital Download

The Symphony No. 2 in C minor by Gustav Mahler, known as the Resurrection Symphony, was written between 1888 and 1894, and first performed in 1895. This symphony was one of Mahler's most popular and successful works during his lifetime. It was his first major work that established his lifelong view of the beauty of afterlife and resurrection. In this large work, the composer further developed the creativity of "sound of the distance" and creating a "world of its own", aspects already seen in his First Symphony. The work has a duration of 80 to 90 minutes, and is conventionally labelled as being in the key of C minor; the New Grove Dictionary of Music and Musicians labels the work's tonality as C minor–E♭ major. It was voted the fifth-greatest symphony of all time in a survey of conductors carried out by the BBC Music Magazine.
Bruno Walter - Mahler: Symphony No. 2 in C Minor "Resurrection" (2024)

Bruno Walter - Mahler: Symphony No. 2 in C Minor "Resurrection" (2024)
FLAC (tracks), Lossless | 1:20:37 | 274 Mb
Genre: Classical

Bruno Walter Schlesinger was born in Berlin on September 15, 1876. He began to play piano at an early age, and entered the Stern Conservatory of Berlin at age eight. He studied with Ehrlich, Bussler, and Radecke. He made a public appearance as a pianist at age nine. At age 13 he heard a concert by Hans von Bülow and decided to become a conductor. This was intensified by attendance at a performance at the Bayreuth Festival in 1891. He became an opera coach at the Cologne Opera in 1893 while still a teen-ager. His debut as a conductor was with a little-known work, Lortzing's Der Waffenschmied, (The Weaponsmith). He became an assistant conductor at the Hamburg Stadttheater in 1894.
I Musici - Antonio Vivaldi: Concerti con titoli / Complete Concertos & Sonatas Opp. 1-12 [19CDs] (2011)

I Musici - Antonio Vivaldi: Concerti con titoli / Complete Concertos & Sonatas Opp. 1-12 [19CDs] (2011)
EAC | FLAC | Image (Cue & Log) ~ 5,93 Gb | Total time: 18:52:05 | Scans included
Classical | Label: Newton Classics | # 8802034 | Recorded: 1962-1978

For several decades beginning in the 1950's I Musici was the leading ensemble specializing in Italian Baroque music, and their performances were standard-setting in their time. Their recordings still hold up exceptionally well even though approaches to early music, driven by the period instrument revolution, have changed somewhat since then.