Loud is the fifth studio album by Barbadian singer Rihanna. It was released on November 12, 2010, by Def Jam Recordings and SRP Records. It was recorded between February and August 2010, during the singer's Last Girl on Earth Tour and the filming of her first feature film Battleship. The record features several guest vocalists, including rappers Drake, Nicki Minaj and Eminem, who is featured on the sequel to "Love the Way You Lie", titled "Love the Way You Lie (Part II)".
Doo-Wops & Hooligans is the debut studio album by American singer-songwriter Bruno Mars. It was released on October 4, 2010, by Atlantic Records and Elektra Records. Mars' writing and production team The Smeezingtons were credited with writing all songs and serve as the album's executive producers. The album's title refers to doo-wop music and was chosen to reflect simplicity, as well as appeal to both males and females. Two digital singles—"Liquor Store Blues" featuring Damian Marley and "Grenade"—were released to promote the album. The lead single "Just the Way You Are" was released on July 20, 2010, and topped the Billboard Hot 100 for four consecutive weeks, going on to become an international top ten hit.
Loud is the fifth studio album by Barbadian singer Rihanna. It was released on November 12, 2010, by Def Jam Recordings and SRP Records. It was recorded between February and August 2010, during the singer's Last Girl on Earth Tour and the filming of her first feature film Battleship. The record features several guest vocalists, including rappers Drake, Nicki Minaj and Eminem, who is featured on the sequel to "Love the Way You Lie", titled "Love the Way You Lie (Part II)".
EMERSON LAKE & PALMER (ELP) reformed for the first time since 1998 to headline the High Voltage Festival on Sunday July 25th 2010. 2010 marked the 40th anniversary of the creation of Emerson Lake and Palmer, the band that was formed from King Crimson, The Nice and Atomic Rooster. They became the first true prog-rock Super Group and defined an era…
Serving as both accomplished career overview and a live-in-the-studio effort that covers two and a half hours and over 40 years of work, Trainsong is a seemingly effortless release, such is the apparent delicacy and grace of Michael Chapman's performing throughout. As Charles Shaar Murray's combatively entertaining liner notes acknowledge, Chapman couldn't play at least one favored piece due to a recent injury. What is on offer, however, is the kind of reflective, elegant playing on both acoustic and electric guitar one would expect from any instrumentalist after decades of experience. From the start, the tender flow of notes on "The Last Polish Breakfast," almost a portrait of sunrise on sparkling water, Chapman seems to be both celebrating his past and claiming a space in the present.