[share_ebook] Qos in Integrated 3G Networks (2002) {repost Fileserve Link}

Violinists Stéphane Grappelli and Stuff Smith performed together on a few occasions, but this 1965 studio session, first issued by Barclay, was one of the more difficult dates to acquire until Universal Music reissued it on CD in 2002, as a part of their extensive Jazz in Paris series. With a solid rhythm section (pianist René Urtreger, bassist Michel Gaudry, and drummer Michel Delaporte) that pretty much sticks to a supporting role, it is clear that Smith's gritty tone rubs off on Grappelli as the session progresses. Highlights include Smith's "Blues in the Dungeon" (during which Grappelli playfully alternates between playing pizzicato and arco to back Smith's hoarse but swinging vocal) and an equally playful, swinging take of "This Can't Be Love"…

A gifted vocalist whose instrument is both strong and sensual, British jazz singer Malia was born into a family of mixed African and English heritage in the small East African country of Malawi, which borders Mozambique, Tanzania, and Zambia. Malia had limited exposure to music growing up - her neighborhood could only tune in two radio stations (one in the native language of Chewa; the other in English), and her father's record collection was dominated by the Beatles. That changed when political unrest forced her family to flee Malawi and relocate to London when Malia was 14 years old. She took great interest in the rich musical landscape that surrounded her, immersing herself in the dance-oriented new wave sounds dominating the English music scene. The music of Sarah Vaughan and Billie Holiday soon attracted her and transformed her worldview, as she was introduced to influential Black artists for the first time…

A gifted vocalist whose instrument is both strong and sensual, British jazz singer Malia was born into a family of mixed African and English heritage in the small East African country of Malawi, which borders Mozambique, Tanzania, and Zambia. Malia had limited exposure to music growing up - her neighborhood could only tune in two radio stations (one in the native language of Chewa; the other in English), and her father's record collection was dominated by the Beatles. That changed when political unrest forced her family to flee Malawi and relocate to London when Malia was 14 years old. She took great interest in the rich musical landscape that surrounded her, immersing herself in the dance-oriented new wave sounds dominating the English music scene. The music of Sarah Vaughan and Billie Holiday soon attracted her and transformed her worldview, as she was introduced to influential Black artists for the first time…

A gifted vocalist whose instrument is both strong and sensual, British jazz singer Malia was born into a family of mixed African and English heritage in the small East African country of Malawi, which borders Mozambique, Tanzania, and Zambia. Malia had limited exposure to music growing up - her neighborhood could only tune in two radio stations (one in the native language of Chewa; the other in English), and her father's record collection was dominated by the Beatles. That changed when political unrest forced her family to flee Malawi and relocate to London when Malia was 14 years old. She took great interest in the rich musical landscape that surrounded her, immersing herself in the dance-oriented new wave sounds dominating the English music scene. The music of Sarah Vaughan and Billie Holiday soon attracted her and transformed her worldview, as she was introduced to influential Black artists for the first time…

A gifted vocalist whose instrument is both strong and sensual, British jazz singer Malia was born into a family of mixed African and English heritage in the small East African country of Malawi, which borders Mozambique, Tanzania, and Zambia. Malia had limited exposure to music growing up - her neighborhood could only tune in two radio stations (one in the native language of Chewa; the other in English), and her father's record collection was dominated by the Beatles. That changed when political unrest forced her family to flee Malawi and relocate to London when Malia was 14 years old. She took great interest in the rich musical landscape that surrounded her, immersing herself in the dance-oriented new wave sounds dominating the English music scene. The music of Sarah Vaughan and Billie Holiday soon attracted her and transformed her worldview, as she was introduced to influential Black artists for the first time…