[share_ebook] Superior #5 (of 07) (2011)

The most traditional pop band of all the Welsh bands to emerge in the post-Brit-pop days of the mid-'90s, Catatonia reworked the sound of jangling late-'80s alternative rock with a punchy, amateurish indie rock attack. Comprised of vocalist Cerys Matthews, guitarist/vocalist Mark Roberts, guitarist Owen, bassist Paul Jones, and drummer Aled Richards, Catatonia formed in Cardiff, Wales in the early '90s. Matthews and Roberts used to busk together in Cardiff before officially forming the band.

Tangerine Dream live in concert at Thomas Wolfe Auditorium during the Moogfest 2011.
It’s end of October, the 28th, 2011, 8 pm - a night to remember for many fans - a lot of them already in funny Halloween costumes - who turned up at Moogfest especially for the Tangerine Dream performance at the Thomas Wolfe Auditorium in Asheville, NC. American, Canadian as well as British TD fans have such a loyal connection to the energy of a TD concert that it is even for the band themselves always a breathtaking experience.
Now in their 44th year after the name Tangerine Dream appeared first time in public, one could assume that the musical energy has probably slowed down, but it is the opposite, a bundle of energetic rhythms, sounds and lead lines will accompany you through a night of a remarkable live experience…

The eighteenth century is probably the most extraordinary period of transformation Europe has known since antiquity. Political upheavals kept pace with the innumerable inventions and discoveries of the age; every sector of the arts and of intellectual and material life was turned upside down. Between the end of the reign of Louis XIV and the revolution of 1789, music in its turn underwent a radical mutation that struck at the very heart of a well-established musical language. In this domain too, we are all children of the Age of Enlightenment: our conception of music and the way we ‘consume’ it still follows in many respects the agenda set by the eighteenth century. And it is not entirely by chance that harmonia mundi has chosen to offer you in 2011 a survey of this musical revolution which, without claiming to be exhaustive, will enable you to grasp the principal outlines of musical creation between the twilight of the Baroque and the dawn of Romanticism.

Erik Truffaz received an early introduction into the world of a professional musician, thanks to his saxophone-playing dad. When he was ten years old, the French trumpeter began performing in his father's dance band. As he grew older, Truffaz performed with other bands in the region until he was 16 and heard Kind of Blue by Miles Davis. The great jazz trumpeter's music inspired him to learn more, and he set off for Switzerland's Geneva Conservatoire, where he became a student. Truffaz's repertoire expanded to works by Mozart and Verdi, and he performed as part of L'Orchestre de Suisse Romande. He also played in cover bands before establishing a group called Orange. The band concentrated on Truffaz's compositions…