It's worth noting that all the music on this CD has been reissued on a budget priced two CD set of music by Gershwin, Porter, and Kern. The recording time on this CD is a little over 40 minutes, rather short measure. Nevertheless, what is here is enchanting. These were some of the earliest recordings of the original orchestrations of these Gershwin pieces. I have LPs of the later orchestrations of some of the overtures with Arthur Fiedler and Erich Kunzel, but McGlinn's CD is far superior in musical content. As for the performances, they are scintillating. The orchestra, filled with brilliant soloists, plays magnificently–with excitement and idiomatically.
Chart-topping band The 1975 play songs from their second studio album – I Like It When You Sleep, for You Are So Beautiful yet So Unaware of It – with the full BBC Philharmonic Orchestra. This release comes for the first time on CD and adds a version of “Chocolate” originally included on their 2013 Music For Cars EP.
Among the most sampled groups of the '60s and '70s by a slew of top rap and hip-hop artists of the '90s and beyond, the legendary New Orleans band and Grammy Lifetime Achievement awardees The Meters created an instantly recognizable sound through almost a decade of recording, initially for the Josie label and then for Reprise and Warner Brothers. Group members guitarist Leo Nocentelli, bassist George Porter Jr., drummer Joseph 'Zigaboo' Modeliste and keyboardist/singer Art Neville formed the core of the band, later augmented by Art's younger brother, percussionist/singer Cyril who joined The Meters in 1975. This wonderful 116-track, 6-CD SoulMusic Records' box set showcases The Meters' entire recorded output for Josie Records (1968-1971), Reprise and Warner Brothers (1972-77). In addition to their eight full albums, this luxurious package (with a 40-page booklet) includes non-album singles, bonus material, single edits and a rare 1977 disco mix of 'Disco Is The Thing Today', available for the first time on CD.
What a strange, wondrous work this is! Dealing almost exclusively with emotions–paternal, filial, and romantic love, sacrifice, jealousy, hatred, spite–there is very little “action” per se. But in Handel’s Tamerlano we are smack in the middle of these people’s hearts and it’s more suspenseful and moving than operas with battles, great political themes, wind machines, and exotic dancers. In short, absolute ruler Tamerlano has conquered and taken the Turkish Emperor Bajazet captive. Despite his engagement to Irene, Tamerlano loves Bajazet’s daughter Asteria; Andronicus, his Greek ally, loves her too and Asteria returns Andronicus’ love. Although it appears as if Asteria also has accepted Tamerlano’s love (to the horror of Bajazet, Andronicus, and Irene), in fact she plans to kill him. She and her father are condemned to death when her plot is discovered, but Bajazet commits suicide and in a last minute change of heart, Tamerlano allows Andronicus and Asteria to wed, while he takes Irene as bride.