Údolí Vcel Valley of The Bees (1968)

Though the Turtles were rightfully known as an excellent pop/rock singles band, on this recording they let loose their humor, which was part of their act from the beginning. On the outside cover the group is dressed in conservative suits and bow ties, yet on the inside the group is clad in, shall it be tastefully said, less traditional attire. The Turtles (who wrote nine of the 12 songs on the original LP, two songs being added to the CD) basically mock the entire spectrum of music on this album, though elements of their pop/rock sound are contained even in the most country, psychedelic, and R&B elements of the music presented here. Two Top Ten hits are contained in this collection, Roger McGuinn's "You Showed Me" and the Turtles own subtly mocking "Elenore." Light psychedelia meets Booker T. & the MG's in the instrumental "Buzzsaw"…

Long before Ted Nugent made his name as a mighty crossbow hunter, there was this heavy Detroit band in which he was content to play lead guitar, something he does very well and with much less threat to the Midwest's deer population. The Nuge shouldn't try to take all the credit for this band, because the other members such as vocalist John Drake and rhythm guitarist Steve Farmer contributed with great aplomb, the latter writing much of the material on the second side's ambitious suite as well as co-writing the title hit with Nugent. This is some hard-hitting, well-done psychedelic music, recorded with taste by a producer known much more for his work with mainstream jazz artists, Bob Shad…

This isn't his most well-known stuff, but it's a very solid late '60s set. Featuring brassy arrangements by Johnny Pate (who also worked with many prominent Chicago soul acts during the '60s), it presents King's sound at its fullest without sacrificing any of his grit or sophisticated swing…

Esoteric Recordings are proud to announce the release of a newly expanded and re-mastered edition of the classic 1968 live recordings made by The Move at the legendary Marquee Club in London. Of all of the groups to emerge in Britain in the latter half of the 1960s, The Move was arguably one of the finest. A powerful act on stage, the group was blessed with one of the most imaginative songwriters of his generation in Roy Wood.
On 27th February 1968 The Move staged a concert at The Marquee Club with the intention of recording the concert for release as a live record. Due to technical issues, some of the material recorded was deemed to be unsuitable for release. In an attempt to rectify this, a further concert at The Marquee was recorded on 5th May…

An integral member of the nonpareil Muddy Waters band of the 1950s and '60s, pianist Otis Spann took his sweet time in launching a full-fledged solo career. But his own discography is a satisfying one nonetheless, offering ample proof as to why so many aficionados considered him then and now Chicago's leading post-war blues pianist.

It was never supposed to be like this: "(Sittin' on) The Dock of the Bay" was supposed to mark a beginning of a new phase in Otis Redding's career, not an ending. Producer/guitarist Steve Cropper had a difficult task to perform in pulling together this album, the first of several posthumous releases issued by Stax/Volt in the wake of Otis Redding's death. What could have been a cash-in effort or a grim memorial album instead became a vivid, exciting presentation of some key aspects of the talent that was lost when Redding died. Dock of the Bay is, indeed, a mixed bag of singles and B-sides going back to July of 1965, one hit duet with Carla Thomas, and a pair of previously unissued tracks from 1966 and 1967, respectively…

"Connie & Clyde - Hit Songs Of The Thirties" is a studio album recorded by U. S. Entertainer Connie Francis. Allegedly inspired by the success of Arthur Penn's 1967 motion picture Bonnie & Clyde, Connie Francis decided in March 1968 to record an album of songs from the depression era. To compile a repertoire of songs with the most appeal to the listener, Francis interviewed several contemporary witness about the hit songs from that era and finally made her choice. The album's title is a word play on the outlaw duo Bonnie and Clyde, two of the most remembered personalities of the era.