When Russian composer Sergei Prokofiev visited Hollywood in the late 1930s, his friend and American champion, maestro Leopold Stokowski, was recording The Sorcerer’s Apprentice, to be used in Fantasia. Prokofiev was indelibly impressed by Walt Disney’s work. He saw how the Disney artists made their animation efforts adhere closely to pre-recorded music tracks; he experienced the click track, a device developed by Disney to ensure that sight and sound were closely coordinated. He then returned to Russia to work with Sergei Eisenstein on the epic film Alexander Nevsky.
The first posthumous archival release from the 1988 touring band focuses on the historical last show Frank Zappa ever played in the U.S. The live concert material is taken from Uniondale, NY; Providence, RIandTowson, MD newly remixed from the 48-track digital master tapes. It features the first official release of “The Beatles Medley” along with over 25 unreleased performances and liner notes by FZ’s drummer, Chad Wackerman and Vaultmeister, Joe Travers. Available on a 4-LP 180-gram purple vinyl variant available exclusively through the Zappa Store & uDiscover online.
The first posthumous archival release from the 1988 touring band focuses on the historical last show Frank Zappa ever played in the U.S. The live concert material is taken from Uniondale, NY; Providence, RIandTowson, MD newly remixed from the 48-track digital master tapes. It features the first official release of “The Beatles Medley” along with over 25 unreleased performances and liner notes by FZ’s drummer, Chad Wackerman and Vaultmeister, Joe Travers. Available on a 4-LP 180-gram purple vinyl variant available exclusively through the Zappa Store & uDiscover online.
When Russian composer Sergei Prokofiev visited Hollywood in the late 1930s, his friend and American champion, maestro Leopold Stokowski, was recording The Sorcerer’s Apprentice, to be used in Fantasia. Prokofiev was indelibly impressed by Walt Disney’s work. He saw how the Disney artists made their animation efforts adhere closely to pre-recorded music tracks; he experienced the click track, a device developed by Disney to ensure that sight and sound were closely coordinated. He then returned to Russia to work with Sergei Eisenstein on the epic film Alexander Nevsky.