Однажды в Корее Once Upon a Time in Korea (2008) Dvdrip

Since The Big Chill, too often directors and film producers have taken the easy way out in creating soundtracks for their big-budget Hollywood movies by licensing a couple handfuls of hits either from the catalog of yesteryear's pop giants or from hungry up-and-comers. It's a formula almost. Thankfully there are still film scores, though they all seem to be written by the same five men. Both of these poles sees to lie in stark contrast to Robert Rodriguez's approach to creating an audio environment both to accompany and stand apart from his films. On Once Upon a Time in Mexico, Rodriquez took matters into his own hands and procured a series of rather obscure existing tracks that viscerally underscore defined themes in his movie – such as Juno Reactor's "Pistolero," Brian Setzer's ass-kicking "Malagueña," and Manu Chao's "Me Gustas Tu." He also commissioned several tracks to actors and wrote others for his players. Thus Tito Larriva's haunting "Flor de Mal," or Johnny Depp and friends under the moniker Tonto's Giant Nuts offer "Sands Theme," while Rubén Blades and Antonio Banderas helped to flesh out their own character's themes musically as well as dramatically.

Arguably a milestone for both director Sergio Leone and his musical cohort Ennio Morricone. After deconstructing the classic American western by way of The Good, the Bad & the Ugly and A Fistful of Dollars, Leone distilled his intentions with 1968's Once Upon a Time in the West. For his part, Morricone framed Leone's meditative camerawork and mythic narrative with a mix of hauntingly spacious pieces and reconfigured snatches of old-timey tunes. Just within the stretch of the first four pieces here, Morricone evokes the endless expanse of the West with a Copland-esque aria (the main title theme), weaves some twisted grit into the showdown theme with loads of guitar fuzz ("As a Judgment"), ingeniously combines whistling and a clippity-clop rhythm for a respite piece ("Farewell to Cheyenne"), and conjures the surreal end of the cowboy mythos via a wonderfully disjointed serial-style number ("The Transgression"). And whether sounding upbeat or stark, Morricone informs it all with the dry and windswept vacancy of the West. Beautiful and stunning.

Ennio Morricone, the Italian composer whose credits include the "spaghetti" Westerns that made Clint Eastwood a star, has died in Rome aged 91.

According to Italian news agency Ansa, he died in hospital having fractured his femur in a fall some days ago.

The prolific composer also wrote music for Once Upon a Time in America, The Untouchables and Cinema Paradiso.

Having received an honorary Oscar in 2007, he went on to win one in 2016 for Quentin Tarantino's The Hateful Eight.

Morricone, who was simply known as "Maestro" in his home town of Rome, scored more than 500 films over seven decades.