Фотограф Brian Clark

AVID Jazz here presents four classic Clark Terry related albums, including original LP liner notes on a finely re-mastered and low priced double CD. “Introducing Clark Terry”; The Dave Bailey Sextet-”One Foot In The Gutter”; “Clark Terry With Thelonious Monk” and Jimmy Hamilton’s- “It’s About Time”…

Clark Datchler is best known as singer/songwriter in the successful 1980s band Johnny Hates Jazz. His most famous songs with the band include the international hits ’Shattered Dreams’, ‘I Don’t Want To Be A Hero’, ‘Turn Back The Clock’ and ‘Heart Of Gold’. ‘Shattered Dreams’ reached #2 in the US and Japan, and went top 5 throughout the rest of the World. It has now been played 3.7 million times on US radio alone. The album ‘Turn Back The Clock’ entered the UK charts at #1 and went triple platinum. To this day, it is regarded as one of the seminal albums of the decade.

At over two hours long, Feast/Beast is a thorough reminder of how prolific a remixer Clark was during the 2000s and 2010s. It also reaffirms just how versatile a sound-shaper he is: while there's definitely an aesthetic holding even the wildest moments here together, he never takes exactly the same approach on any two songs. The names represented on Feast/Beast are almost as wide-ranging as the way he refashions tracks for them. Obviously, his remixes for some of the bigger artists are among the standouts, but he's just as creative in his work for lesser-known acts. Not surprisingly, some of the highlights come from his collaborations with fellow Warp artists, whether he's remixing them or vice versa; the Clark tracks remixed by his friends offer yet another perspective on his music…

The Dillard & Clark duo was Gene Clark’s most artistically successful post-Byrds collaboration, and his best venture into country-rock as well. With Chris Hillman and Bernie Leadon playing behind the duo throughout the first album, in many ways it is as much an offshoot of the Flying Burrito Brothers’ work as it is of the Byrds, with more of the Burritos’ feel. The standard of playing and singing on both albums is extremely high, but the nine songs on The Fantastic Expedition of Dillard & Clark are more impressive, both as recordings and compositions.

Texas singer-songwriter Guy Clark has been a patriarchal figure to many in the Nashville songwriting community for decades. Artists like Rodney Crowell and Steve Earle studied under the watchful eye of Clark during their early years. Like friend Townes Van Zandt before him, Clark is a master storyteller, a dream weaver blessed with the ability to match ear-catching melodies with poetic lyrics that aim for the deepest part of the listener's soul. Somedays the Song Writes You, Clark's eleventh studio album, is a well-crafted collection of compositions that rank among some of his best. Clark's tobacco-and-whiskey-stained voice has never sounded better than it does on such tracks as "The Guitar," a fiery number about a wayward musician and the pawnshop guitar that causes an unexpected awakening in him, and "Hollywood," a slow-grooving cut that takes a sideways look at the world-famous district of Los Angeles, CA. Clark, as he has on previous albums, covers a Townes Van Zandt tune on Somedays the Song Writes You.

Songwriter and pianist Anne Clark has been a cult figure since the early '80s and has amassed a rather sizable catalog despite her small but rabid following. She writes nearly-Gothic love songs full of obsession and pathos, and pretty orchestral settings with clever instrumental figures and stinging piano runs and minor-key epiphanies. She's a consummate artist, playing to her strengths while trying to subtly, but surely, extend her reach, and always following her own muse, even when it takes her into dissonant territory. Most of her albums are out of print even on CD, and sell for collector's prices when they can be found. This is too bad, because Clark has assembled a solid, if quirky, and passionately honest body of work. This best-of issued by Beehive is truly that. It features 24 tracks and clocks in at over 75 minutes. Many of these are Clark's most lovely songs, such as "The Sitting Room," "All Night Party" (with Vini Reilly of Durutti Column), the "12" remix" of "Our Darkness," and "The Last Emotion," as well as instrumental themes such as "Swimming" and "An Ordinary Life".