N’aimeriez pas enfin obtenir les photos dont vous rêvez ? Comprendre vraiment à quoi servent ces énigmatiques « focale », « exposition », « vitesse », « ouverture » ou « sensibilité » dont vous entendez le plus grand bien ? Savoir quels matériels et accessoires utiliser ? Découvrir comment améliorer vos images après la prise de vue ? Pas de panique : la photo, c’est pas sorcier ! …
During a career of invention and re-invention the'68 Comeback Special is perhaps THE pivotal performance of Elvis' career. He was back from the movie career that had kept him away from the live arena throughout most of the 60's and what's more he looked and sounded amazing. To celebrate the 40th anniversary we are releasing the Complete '68 Comeback Special, a box set that features the whole story from the rehearsals to the finished show, outtakes and rarely heard gems. Deluxe Edition - 4 disc box set including over 103 songs, CD sized Box with text foil stamped lift off lid. Each disc is housed in mini LP style wallets with a 36 page booklet. This album contains 8 previously unreleased tracks.
In 2000, Britain's RCA Camden line mounted an extensive Harry Nilsson reissue campaign, remastering the original albums, offering bonus tracks, and combining the LPs into two-fers where possible. His first two records were issued as part of a double disc set, with the first disc devoted to the two original albums and the second containing his remixed, re-re-recorded consolidation of the two, Aerial Pandemonium Ballet, plus four unreleased tracks, all of high quality…
Nilsson's two late-'60s/early-'70s soundtrack albums, Skidoo and The Point!, were released as a single-disc two-fer as part of RCA Camden's Nilsson reissue campaign. Of the two, The Point! holds up a bit better, since it was designed to stand on its own more than Skidoo, yet the two are an ideal pairing, showing Nilsson's silly humor, studio inventiveness, and pop songcraft if not at a peak, then at least in a highly distinctive, amusing setting…
None of Liszt's ingenuous Beethoven symphony transcriptions had been recorded when Glenn Gould charted virgin territory in 1967 with the Fifth. Not only does Gould take Liszt's prodigious technical demands in stride, he also turns in what may be his best Beethoven playing on record. The pianist brings a kind of rhythmic acuity to the outer movements that makes many orchestral versions seem tame in comparison, even those with faster tempos. Gould's genius for sustaining tension at slow tempos is fully revealed in the second movement, in which each phrase is timed to a T. The first movement of the Pastorale flows more assuredly and accurately than in Gould's CBC Radio performance of the entire transcription. It's a pity Gould abandoned his plans to record the entire cycle.