“please Don’t Talk About Me When I'm Gone: The Search For Leon Redbone”,

Frank Sinatra - The Complete Reprise Studio Recordings (1995) {20CD Box Set, Reprise 46013-2 rec 1960-1988}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 8.38 Gb | MP3 @320 -> 3.35 Mb
Full Artwork @ 300 dpi (jpg) -> 102 Mb | 5% repair rar
© 1960-88, 1995 Reprise Records / Warner | 46013-2
Jazz / Vocal Jazz / Standards / Traditional Pop

Frank sinatra The Complete Reprise Studio Recordings (1995 US limited edition 20-CD set containing a total of 452 songs [over 24 hours sequenced in chronological order] recorded between 1960 & 1988, with 70 songs previously unavailable on CD & a further 18 previously unreleased titles, presented in embossed deluxe leather and brass bound 'trunk' carry case with individually numbered brass plaque, complete with 96-page hard back book with extensive liner notes and insightful essays by respected Sinatra scholars like Will Friedwald, interviews and photographs.)

Don Byas - Complete 1946-1951 European Small Group Master Takes (2001) {3CD Set Definitive Records DRCD 11214}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 597 Mb | MP3 @320 -> 361 Mb
Full Artwork @ 300 dpi (png) -> 79 Mb | 5% repair rar
© 1946-51, 2001 Definitive Records / Disconforme | DRCD 11214
Jazz / Bop / Swing / Saxophone

The European recordings by a jazzmen who played a crucial role in the transition from Swing to Bop. Only master takes. One of the greatest of all tenor players, Don Byas' decision to move permanently to Europe in 1946 resulted in him being vastly underrated in jazz history books. His knowledge of chords rivalled Coleman Hawkins, and, due to their similarity in tones, Byas can be considered an extension of the elder tenor. He played with many top swing bands, including those of Lionel Hampton (1935), Buck Clayton (1936), Don Redman, Lucky Millinder, Andy Kirk (1939-1940), and most importantly Count Basie (1941-1943).

Enjoying great success in music, film, television, and the stage, Dean Martin was less an entertainer than an icon, the eternal essence of cool. A member of the legendary Rat Pack, he lived and died the high life of booze, broads and bright lights, always projecting a sense of utter detachment and serenity; along with Frank Sinatra, Sammy Davis, Jr. and the other chosen few who breathed the same rarefied air, Martin – highball and cigarette always firmly in hand – embodied the glorious excess of a world long gone, a world without rules or consequences.