尼基尔·班纳吉加州录音1967 Nikhil Banerjee

The cleverly-conceived cover shot tips you off to the fact that this 1967 record–comprised of outtakes from sessions for his John Hammond, Big City Blues, So Many Roads, and Country Blues albums–displays two different sides of the great white bluesman John Hammond, one electric, one acoustic. The electric side features a backing band for the ages, consisting of Band members Levon Helm and Robbie Robertson plus Mike Bloomfield (on piano!) and Charley Musselwhite, while the acoustic side is just Hammond on guitar.

Digitally remastered and expanded reissue of this 1967 album by Mayall and his Bluesbreakers, the only studio album to feature future Fleetwood Mac leader Peter Green on guitar. Features an additional 14 tracks including studio cuts and radio sessions.
Eric Clapton is usually thought of as John Mayall's most important right-hand man, but the case could also be made for his successor, Peter Green. The future Fleetwood Mac founder leaves a strong stamp on his only album with the Bluesbreakers, singing a few tracks and writing a couple, including the devastating instrumental "Supernatural." Green's use of thick sustain on this track clearly pointed the way to his use of guitar riffs with elongated, slithery tones on Fleetwood Mac's "Albatross" and "Black Magic Woman," as well as anticipating some aspects of Carlos Santana's style…

The Honeysuckle Breeze was the debut album by saxophonist Tom Scott. The California Dreams were a vocal group who contributed their singing and harmonies. Scott brought in musicians like Mike Melvoin, Carol Kaye, Max Bennett, Lincoln Mayorga, Glen Campbell, Jimmy Gordon and others to this session. Some of the same set of musicians, including Scott, would also play on Gabor Szabo's album Wind, Sky And Diamonds, also featuring The California Dreamers and also released on Impulse, also in 1967. The Honeysuckle Breeze is celebrated in hip-hop circles for Scott's cover of Jefferson Airplane's "Today", which was sampled in the celebrated song by Pete Rock & CL Smooth, "They Reminisce Over You (T.R.O.Y.)", but the album shows a side of Scott that he would abandon eight years later as his music retained funkiness but started to become lightweight. The Honeysuckle Breeze also features covers of The Beatles' "She's Leaving Home", Donovan's "Mellow Yellow", and The Association's "Never My Love". Scott contributes one original song to the album, "Blues For Hari".

When he set foot on the stage of Club Doelen on Oct. 28, 1967 in Rotterdam, Thelonious Monk had just turned 50. 15 years later, he disappeared from the music scene and spent his 6 final years in New York, at Pannonica de Koenigswater's, and never touched a piano again. This concert is a testament to his genius. Opening and ending with two "classic pieces", "Ruby, My Dear" and "Blue Monk", he led for over 80 minutes the quartet and his accomplices, Charlie Rouse, Larry Gales, Ben Riley, and guests.
Larry Gales's bass seems to pop out like a jack-in-the-box at the end of "Hackensack", the brass instruments get carried away towards the middle of "We See", and billow out and away in the breathtaking "Oska T."…