月刊will

Guitarist Will Bernard, a Berkeley, CA native and Brooklyn NY transplant, studied guitar and piano from an early age with Dave Creamer, Art Lande and Julian White, later developing an interest in classical music composition. He received a degree in music from UC Berkeley where he studied with Andrew Imbrie and others. He began playing and recording on an international level as a member of Peter Apfelbaum's Hieroglyphics Ensemble, who made their recorded debut with Don Cherry on “Multikulti” (A&M 1989). Since then, Bernard has participated in a host of boundary stretching groups, ranging from jazz, hip-hop and world music to experimental music, with many stops in between.

The Biblical story of Belshazzar’s hubristic arrogance set against the valour of the young warrrior-leader Cyrus provided the 20-year-old Rossini with a dramatic story with West-Eastern resonances which still speak to us today. For the title role of Cyrus, Rossini wrote what would be his longest-ever contralto role, to which the great Rossini singer Ewa Podles is both naturally attracted and ideally suited. She is partnered by two young American stars of Rossini singing, Jessica Pratt and Michael Spyres, and a conductor-scholar, Will Crutchfield, of immense experience and sympathy.

"This album is the culmination of three years of music making and two other records, Climbing in Circles Parts One and Two. These three records aim to shine a light on how each performer’s personality plays a role in shaping improvised music. To me, the resulting sounds feel very honest, warm and inviting."

X: The Godless Void and Other Stories appeared at a timely point in …And You Will Know Us by the Trail of Dead's career. It arrived six years after the release of 2014's IX, during which time Conrad Keely returned from Cambodia to the band's home base of Austin, Texas, and also coincided with their 25th anniversary. It makes sense, then, that their tenth album finds them taking stock. As …And You Will Know Us by the Trail of Dead explore how people become more themselves over time while everything else changes, they deliver their most emotionally direct music in quite a while. Their need to follow their hearts – even if they get a little broken along the way – has dominated their music since Source Tags & Codes, and the tension between cathartic freedom and poignancy is as powerful on X: The Godless Void and Other Stories as it was on that landmark album.

2019 is a milestone year for altoist Will Vinson. It’s twenty years since he relocated to New York from his native London, and commenced an exploration that led him into the heart of that city’s legendary scene, where the tradition and the avant-garde intersect. Seven records as leader have confirmed his stature: now, for his debut on Whirlwind, titled four forty one, he’s dug into his contact book to present the realization of a long-held dream - to record with five of the greatest contemporary piano masters. Sullivan Fortner, Tigran Hamasyan, Gerald Clayton, Fred Hersch, and long-time associate Gonzalo Rubalcaba are each matched with their respective bass and drum team of Matt Brewer and Obed Calvaire, Matt Penman and Billy Hart, Matt Brewer and Clarence Penn, Rick Rosato and Jochen Rueckert, and Larry Grenadier and Eric Harland, to create five dream trios for Vinson to play off “as a bystander and participant at the same time.”

Three guitars, three voices, that’s the 18th edition of Ruf’s Blues Caravan which will take off in mid-February 2023. Thus carrying on a tradition which was established in 2005 when Thomas Ruf, founder of internationally operating German record company Ruf Records, came up with the idea for this kind of package tour and with Sue Foley, Candye Kane and Ana Popovic sent three of his artists on the road together for the first time. This time the line-up will consist of Texan bluesrocker Ally Venable, Chicago-born Berlin resident Will Jacobs and Ashley Sherlock from Manchester in the UK.