标清23'42'' 管啸天 Guanxiaotian

A most solid release by a player of distinct gift and musicality… his performances are entertaining and colorful. All in all, this is tasteful, skilled piano playing at a very high level, and I was pleased to make Frith's artistic acquaintance. Good sound.

A most solid release by a player of distinct gift and musicality… his performances are entertaining and colorful. All in all, this is tasteful, skilled piano playing at a very high level, and I was pleased to make Frith's artistic acquaintance. Good sound.

A most solid release by a player of distinct gift and musicality… his performances are entertaining and colorful. All in all, this is tasteful, skilled piano playing at a very high level, and I was pleased to make Frith's artistic acquaintance. Good sound.

I Do Not Want What I Haven't Got became Sinéad O'Connor's popular breakthrough on the strength of the stunning Prince cover "Nothing Compares 2 U," which topped the pop charts for a month. But even its remarkable intimacy wasn't adequate preparation for the harrowing confessionals that composed the majority of the album…

Peter Mergener is one of the artists you might like to refer to if you want to prove that the music business is unfair. His first formation Software was musically equally groundbreaking as German compatriots Tangerine Dream and their 80s output possibly better than that of direct inspiration Klaus Schulze. Still, even though they did manage to become an underground sensation, their music never made it to those big concert halls and only occasionly to the radio. After the breakup of his band, Mergener continued as an acclaimed solo artist, who again won the hearts of a dedicated group of music lovers with a prolific body of works. It would be well deserved, for if you haven't heard of Peter Mergener, you haven't heard of electronic music!

Initially a British folk-rock combo called Tyrannosaurus Rex, T. Rex was the primary force in glam rock, thanks to the creative direction of guitarist/vocalist Marc Bolan (born Marc Feld). Bolan created a deliberately trashy form of rock & roll that was proud of its own disposability…

On her first full-length Christmas album, pianist/vocalist Diana Krall delivers a smoky, sophisticated, and slightly melancholy album perfectly suited to accompany egg nog cocktails and romantic afterglow holiday affairs. Although there isn't anything unexpected on Christmas Songs - Irving Berlin's "Count Your Blessings Instead of Sheep" is as close to obscure as it gets - Krall coos life into such standards as "Have Yourself a Merry Little Christmas," "What Are You Doing New Year's Eve," and "I'll Be Home for Christmas." It also doesn't hurt that she gains top-notch support from the Clayton-Hamilton Orchestra, whose urbane arrangements help bring to mind similar works by such iconic vocalists as Nat King Cole, June Christy, and Frank Sinatra…

Lee Morgan & Clifford Jordan Quintet - Live In Baltimore 1968 (2014) {Fresh Sound FSR-CD 824}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 474 Mb | MP3 @320 -> 175 Mb
Full Artwork @ 600 dpi (png) -> 225 Mb | 5% repair rar | 24-bit remaster
© 1968, 2014 Fresh Sound Records | FSR-CD 824
Jazz / Hard Bop / Trumpet / Saxophone

Lee Morgan’s first meeting on record with Clifford Jordan was in June 1957, when Morgan was about to turn nineteen and Jordan had just begun making a name for himself. After their first collaboration, the precocious Morgan occasionally called Jordan to play tenor on his recordings; thus they recorded together twice in 1960 and once in January 1962.