特撮vol2 『科学戦隊ダイナマン』op、ed

Of Beethoven and his worlds in music, some will remember more the herald of pure music or of programme music, the Dionysian bearer of joy, or the man suffering from suicidal impulses, the builder or the destroyer. In any event, the creator stopped writing piano sonatas in 1822, the year of E.T.A. Hoffmann’s death. All the transgressions that are propounded by Beethoven’s Promethean output would be unable to conceal his faithfulness to the ideals of Aufklärung, his classic desire to lead, beyond the asperities, to a resolution and, beyond darkness, to light.’says Brigitte François Sappey, a famous musicologist.

By the time Beethoven came to compose the last three of his 32 piano sonatas, written, he said, “in a single breath” and conceived as a unified whole, he was almost completely deaf.Dense and complex, these innovative works, marking indelibly his farewell to the genre, pose many challenges, which are taken up here with mastery by Fabrizio Chiovetta.His performance, nurtured by a strong musical maturity and a deep understanding of the score, echoes to the greatness of these works as Fabrizio Chiovetta takes us into the mystery of Beethoven’s genius.

By the time Beethoven came to compose the last three of his 32 piano sonatas, written, he said, “in a single breath” and conceived as a unified whole, he was almost completely deaf. Dense and complex, these innovative works, marking indelibly his farewell to the genre, pose many challenges, which are taken up here with mastery by Fabrizio Chiovetta. His performance, nurtured by a strong musical maturity and a deep understanding of the score, echoes to the greatness of these works as Fabrizio Chiovetta takes us into the mystery of Beethoven’s genius.