Having received all major recording industry prizes of the world many times, as well as the Siemens Special Prize, the Buxtehude Prize of the City of Lübeck and the Special Prize of North-Rhine Westphalia, Goebel has still remained the leading outsider in the area of “Early Music” – always looking for new acoustic worlds, shocking new ways of interpreting standard repertoire and uncomfortable programs far off the beaten track of “top-40 classic programming”. Reinhard Goebel began studying violin at the age of 12. He became interested exclusively in “Early Music” at a young age, but was forced to proceed through a classic- modern program of study by the German conservatory system.
Every Little Thing (also known as ELT) is a pop/soft rock duo from Japan who debuted in August 1996 with the release of their first single called "Feel My Heart". Their name is usually written in English, and only rarely in katakana.
„Of all the major Russian composers, Reinhold Glière is one of the least well known in the West. His life spanned a vast period from the Czar’s reign to Soviet dictatorship, and he made it through the Stalin era relatively intact by mostly avoiding conflict without losing face. Such dilemmas were to haunt the lives of Glière’s pupil Prokofiev, and especially that of his colleague Shostakovich, 30 years younger, but they were not yet current in 1900, when 20-year-old Glière, still a student, injected all of his youthful verve into composing his String Octet in D Major, Op. 5. The work soon gained immense popularity in Russia, where, still today, Glière’s Octet is sometimes even held in higher esteem than the likewise youthful and fresh String Octet by Mendelssohn.
This recording presents the entire output to date for guitar of Toshio Hosokawa, one of Japan's most prolific composers for the instrument. His affinity for the guitar stems from his familiarity with popular songs accompanied by the guitar and from his knowledge of the koto, a traditional Japanese instrument from which he has adopted certain playing techniques. Although the works gathered here call for a variety of forces - guitar solo, guitar and voice, guitar and instrumental ensemble - they all present a fundamental aspect of Toshio Hosokawa's output: the music seems to be born like a calligraphic line 'at the limit of time and space'.
…sit back and enjoy the brilliant, imaginative playing, with its interesting dialogue between the performance styles of jazz and classical music…[Mullova] certainly sounds spontaneous but retains a disciplined polish from her classical training…all in all this is a very stimulating programme, performed with flair and finesse.