BEING GUIDED BY THE LIGHT is the fifth album by pianist Mamiko Watanabe and the fifth album to be released by acclaimed record label, Jojo Records. It is the representation of a musician in full flower, an artist reveling in her endless state of exploration. Mamiko plays the piano with the grace of a master but also the feral intensity of a jungle cat. This has led esteemed bassist Santi Debriano, one of her long-time collaborators and in the trio on this album, to compare Mamiko to the legendary McCoy Tyner.
Alva Noto goes to his “special place” with a return to the vast, cinematic scapes of his ‘Xerrox’ project on NOTON.
Twenty years after its original release, Alva Noto and Ryuichi Sakamoto’s minimalist masterpiece returns on NOTON on May 27, 2022.
Carsten Nicolai embarks on a new series of works with this new full-length, commissioned to score Richard Siegal's choreographed performance "Oval" and influenced by astrophysics phenomena, cinema and scientific events. Not easy listening then.
Originally released in 2005, Insen is the second collaboration album between Alva Noto and Ryuichi Sakamoto and the second installment of V.I.R.U.S.‘s five albums series. Remastered in 2021 in collaboration with Calyx Studio, the album’s recordings are accompanied by an unreleased composition titled Barco. Initially composed for Alva Noto and Ryuichi Sakamoto’s 2005 Insen tour, the audio material used in this piece is based on the subtle sounds of Barco projectors, whose tonalities served as a ground for the artists’ live improvisation.
Initially released in 2006, Revep is the third collaboration album between Alva Noto and Ryuichi Sakamoto and the third installment of V.I.R.U.S.’s five albums series. Remastered in 2021 in collaboration with Calyx Studio, the album’s recordings are accompanied by three new compositions titled ‘City Radieuse’, ‘Veru 1’, and ‘Veru 2’.
Your eyes/ears do not deceive you: Leaves of Grass features arch American rockstar Iggy Pop reading poems from Walt Whitman’s classic collection of the same name, set to music by Robert Lippok and Bernd Jetstram’s Tarwater, accompanied by Raster-Noton co-founder Carsten Nicolai, a.k.a. Alva Noto.
Alva Noto & Ryuichi Sakamoto share recordings of their show at Sydney Opera House in 2018, yielding 80 minutes of sublime, glassy electronics; minimal but full of that light-handed emotive brilliance Sakamoto seems to always supply so generously, and with such little effort. Gorgeous, moving music.
"Glass" is an improvisational piece composed by Ryuichi Sakamoto and Carsten Nicolai, known by his stage name as Alva Noto, for Yayoi Kusama's installation Dots Obsession—Alive, Seeking for Eternal Hope, which ran in September 2016 at Philip Johnson's Glass House. A film of the performance was uploaded to the Glass House's official Vimeo account and website on November 11, 2016, and an audio recording of the 37-minute composition was released as an album on Nicolai's label NOTON on February 16, 2018. "Glass" is an unconventional ambient piece that uses sounds from a keyboard, glass-made singing bowls, and digital processing of the House's glass walls. The composition consists of developing layers of sounds performed over a single drone. It was praised by many professional reviewers as a display of Sakamoto and Nicolai's growing artistry.