風の手紙 Alan

Alan Parsons studied a number of musical instruments in childhood but, like many of his peers, settled on the guitar in his early teens. His job in the late 1960s at the EMI tape duplication facility allowed him access to many classics of the day, including the tape master of The Beatles Sgt. Pepper's Lonely Hearts Club Band (1967), which fired him up to become a recording engineer. He subsequently managed to get work at the Abbey Road Studios and participated in the creation of The Beatles albums Let It Be (1970) and Abbey Road (1969) and the infamous Apple rooftop session. He also went on to work as mix engineer with Paul McCartney and George Harrison after The Beatles split…

The 12 tracks that appear on The Best of the Alan Parsons Project include some of their greatest singles, like "I Wouldn't Want to Be Like You" from 1977's I Robot and the inducing "Games People Play" off of The Turn of a Friendly Card. Even though these songs are splendid all by themselves, they seem to lose their conceptual weight when taken away from their original albums. As singles, they do act as a fine representation of how The Alan Parsons Project's music sounds and conveys its mysterious air, but even with a dozen singles on this album there's just too much of their other worthy material that is sadly left off.

The 12 tracks that appear on The Best of the Alan Parsons Project include some of their greatest singles, like "I Wouldn't Want to Be Like You" from 1977's I Robot and the inducing "Games People Play" off of The Turn of a Friendly Card. Even though these songs are splendid all by themselves, they seem to lose their conceptual weight when taken away from their original albums. As singles, they do act as a fine representation of how The Alan Parsons Project's music sounds and conveys its mysterious air, but even with a dozen singles on this album there's just too much of their other worthy material that is sadly left off. Present is their biggest single and most alluring piece, "Eye in the Sky," from the album of the same name, and the entrancing "Time" from Turn of a Friendly Card.

The Best of the Alan Parsons Project, Vol. 2 typically picks up where its predecessor left off. With 11 tracks covering seven albums, including Gaudi, Stereotomy, and Vulture Culture, the songs here are a tad weaker than those on the first collection, since some of the albums that these songs originate from were not of this band's finest caliber. The highlights here include both "Prime Time" and "Don't Answer Me" from Ammonia Avenue, and the provocative instrumental "I Robot," the only non-vocal track on the album. All of the selections on this package convey their purpose much better within their former albums, since each song is a link in the album's conceptual chain.