This cd is a marvel to hear ! The first 12 tracks presumably come from John Barrett tapes, and the rest is good-quality audio, taken from broadcasts, rehearsals and other sources…
Between 1958 ansd 1961, the Azerbaijani composer, Arif Melikov brought together the strongest elements within the Russian and Soviet ballet tradition to create the score titled Legend of Love. It was the first large-scale work written by the 28-year-old composer, and eventually brought him worldwide fame. “The Legend helped me see the world”, he remembered.
There are several Cash boxes available, but The Legend–spanning the years 1955-2002 but concentrating on his long tenure at Columbia and, to a lesser degree, his beginnings at Sun–probably belongs at the top of the list. Cash's greatest strengths are dramatized on these four, thematically programmed discs: Win, Place and Show: The Hits; Old Favorites and New; The Great American Songbook (mostly traditional songs); and Family and Friends (collaborations).
Digitally remastered edition of this 1975 album by the Jazz great. In what would turn out to be the final years of his short life, jazz great Julian "Cannonball" Adderley embarked on a number of ambitious, genre-stretching projects. The last of these was 1975's Big Man, the score for a musical play based on the John Henry ("the steel driving man") American folk legend. The album was released as a two-LP set with libretto, and featured music from Adderley and his then-current musical associates including brother Nat Adderley, George Duke (using the alias "Dawilli Gonga"), Roy McCurdy, Airto Moreira, Carol Kaye and others. The sessions also made full use of a large string section and chorus, while the primary vocalists in Big Man sang and read their lines in character; the vocal cast included lead vocalist Joe Williams, Randy Crawford, and Robert Guillaume. Long out of print and never before issued on CD, Real Gone Music's reissue of Big Man boasts liner notes by Bill Kopp with quotes from Robert Guillaume, and the full libretto, with remastering by Joe Tarantino. The final artistic statement from a jazz giant!
In May 1956, the Texan label Starday issued a wild rockabilly single by Thumper Jones. Its top side, the kinetic “Rock It”, was primal, uncontrolled and wild. The flip, “How Come It”, was less frenzied but still driving and infectious. Original pressings of the two-sided pounder in either its 45 or 78 form now fetch at least Ј200. This is not your usual rockabilly rarity though. The record’s label credited the songs to a Geo. Jones. Thumper Jones was a pseudonymous George Jones (1931–2013), who was cashing in a hip style: the only time he did so with rockabilly.
MelodicRock Classics is pleased to announce a partnership with English singer, songwriter, composer and musician Andy Qunta to deliver a Deluxe Edition of his one and only solo album 'Legend In A Loungeroom', originally recorded in 1989.