전설（legend） Jannabi

French duo Air will release a 20th anniversary edition of their third album 10 000 Hz Legend in November. This deluxe edition is a three-disc set comprising two CDs and a blu-ray…

Baby Huey - The Baby Huey Story: The Living Legend (1971) {2014 Warner Music Japan WPCR-27720}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 286 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 300 dpi (png) -> 20 Mb | 5% repair rar
© 1971, 2014 Curtom / Warner Music Japan | WPCR-27720
Psychedelic Soul / Funk / Soul / R&B / Chicago Soul

Reissue with the latest 2013 digital remastering. Comes with a description and lyrics. Baby Huey's only album, released after his untimely death, is titled The Living Legend with good reason. He was legendary in his appearance, a 400-pound man with a penchant for flamboyant clothing and crowned by a woolly Afro, a look that is best illustrated by one of several rare photos included in the Water Records edition that shows our man in a wide-lapeled polka-dot shirt with a lime-green jacket. Beyond his unusual appearance, though, he was graced with a stunning, fierce voice on par with Otis Redding and Howard Tate, wailing and howling one moment and oddly tender and sentimental the next.

The classic Bob Marley album, the one that any fair-weather reggae fan owns, Legend contains 14 of his greatest songs, running the gamut from "I Shot the Sheriff" to the meditative "Redemption Song" and the irrepressible "Three Little Birds." Some may argue that the compilation shortchanges his groundbreaking early ska work or his status as a political commentator, but this isn't meant to be definitive, it's meant to be an introduction, sampling the very best of his work, and it sticks to his later output for Island Records…

Since its 1984 release, Legend has become the biggest selling reggae album of all time. The first rate critics include former head of Island Records and the man who created the Legend compilation; Dave Robinson, and world famous music writer Lloyd Bradley.

It seems, and was, ages ago that I last reviewed a disc of Estonian Heino Eller's orchestral music. That disc from Bella Musica-Antes is still worth hunting down as it overlaps with this Ondine example only in relation to the single-movement 24-minute violin concerto. The Ondine recording is unflinchingly forward and vivid. Eller's Violin Concerto has about it much the same rhapsodic air as the concertos by Delius and Moeran and RVW's Lark.

Heino Eller was much more than anything I can express in words. It was largely due to him that music in Estonia was able to achieve a cultural and professional dignity. – Arvo Pärt