'68 1 4

Snake Woman: Curse of the 68 #1-4 Complete  Comics

Posted by WEATHERMAX at Aug. 31, 2009
Snake Woman: Curse of the 68 #1-4 Complete

Snake Woman: Curse of the 68 #1-4 Complete
Eng | RS & Hotfile | 4 CBR | Virgin Comics | Feb 28 - May 28, 2008 | 83.6 Mb Total

is a four-issue miniseries created by Shekhar Kapur and Zeb Wells and published by Virgin Studios in 2008. After the sacking of a sacred Snake Temple at the hands of 68 British soldiers, each generation sees the birth of a , the human vessel of a Goddess hungry for revenge; it is her destiny to hunt down and kill the souls of the 68 as they are reincarnated throughout the decades in different lives and locations. in a single generation, or be destroyed by one of their number. Only when all the 69 were killed in a single lifetime and the stolen sacred emerald returned to the Naga Temple will the mission of the Snake Woman end. If even one of the 68 survived, then she and the soldiers will be reborn, once again matched in a cosmic battle of man versus Goddess. This is the story of those hunted, as they struggle to survive the curse of the the Snake Woman. This is the .

'68 #1-4 [complete] (repost)  Comics

Posted by pocik at April 23, 2012
'68 #1-4 [complete] (repost)

'68 #1-4 [complete] (04.2011 - 10.2011)
CBR / ZIP | English | 4 Issues | 80 mb total

Snake Woman - Volumen 3: La maldición de los 68 #1-4  Comics

Posted by Coda at June 23, 2013
Snake Woman - Volumen 3: La maldición de los 68 #1-4

Snake Woman - Volumen 3: La maldición de los 68 #1-4
Virgin Comics, 2008 | CBR/RAR | Spanish | 4 Issues | 228 MB Total
Creado por: Shekar Kapur; Guión: Zeb Wells; Dibujo: Pradip Ingale, Manu P. K., M. Subramanian

'68 #1-4 (2011) [Complete]  Comics

Posted by mikestoke at Oct. 21, 2011
'68 #1-4 (2011) [Complete]

'68 #1-4 (2011) [Complete]
Image Comics | English | CBR | 4 Issues | 80.6MB

On February 13, 1968, Lieutenant Tommy Blake led a five-man fire team into the deep jungles of Vietnam to investigate the sudden silence of a deep-cover listening post. What they found, far from the relative safety of tiny firebase Aries, hidden by the shadows of an enemy-infested rainforest and buried in the heart of a darkness known as "Indian Country" is a brutal story of violence and horror. The hungry dead have risen in the war torn hell of Vietnam and there are zombies in the razorwire?
Wolfgang Sawallisch & London Philharmonic Orchestra - Brahms: Haydn Variations, Schicksalslied & Symphonies Nos. 1 & 4 (2023)

Wolfgang Sawallisch & London Philharmonic Orchestra - Brahms: Haydn Variations, Schicksalslied & Symphonies Nos. 1 & 4 (2023)
WEB FLAC (tracks) - 461 Mb | MP3 CBR 320 kbps - 279 Mb | 02:01:26
Classical | Label: Warner Classics

Wolfgang Sawallisch was a German conductor and pianist, known for his refined interpretations of orchestral and opera repertoire. As a pianist, he was a revered accompanist and chamber musician, as well as an accomplished soloist. He was born in 1923 in Munich to Maria and Wilhelm Sawallisch, and had a brother named Werner who was older by five years. He started learning the piano at age five, and by the age of ten he had already decided that he wanted to be a concert pianist as an adult. Upon graduating high school in Munich in 1942, he studied piano with Wolfgang Ruoff until he was drafted into the military, where he served in France and Italy with the Wehrmacht, a branch of the Nazi armed forces. During the final stages of World War II in 1945 he was captured and held in a British POW camp. After he was released, he returned to Munich and began studying with composer Joseph Haas.
Tapiola Sinfonietta & Mario Venzago - Brahms: Symphonies Nos. 1-4, Serenades Nos. 1 & 2 (2018)

Tapiola Sinfonietta & Mario Venzago - Brahms: Symphonies Nos. 1-4, Serenades Nos. 1 & 2 (2018)
WEB FLAC (tracks) - 848 Mb | MP3 CBR 320 kbps - 507 Mb | 03:40:42
Classical | Label: Sony Classical

The size of the orchestra and the arrangement of the orchestra is similar to the situation of the historic Hofkapelle in Meiningen, where the composer’s 4th symphony had been performed for the first time Fascinating new sound impression of well known classical pieces. Appealing and interesting version of Brahms’ immortal symphonies. About the artists Mario Venzago is the principal conductor and artistic director of the Bern Symphony Orchestra, Artist in Association at Finland's Tapiola Sinfonietta and a regular guest conductor of the Kammerorchester Basel. Before taking up conducting, Venzago was a concert pianist at Radiotelevisione Svizerra in Switzerland, and performed throughout Europe as a soloist and accompanist. Several of his CDs have won international prizes. His recordings of the operas «Venus» and «Penthesilea» and of all choral works by Othmar Schoeck with the MDR choir and symphony orchestra received great international recognition and prestigious awards. The Tapiola Sinfonietta ? the orchestra of the City of Espoo – is a high-quality chamber orchestra whose guest performers include leading Finnish and foreign conductors and soloists.
Tapiola Sinfonietta & Mario Venzago - Brahms: Symphonies Nos. 1-4, Serenades Nos. 1 & 2 (2018) [24/96]

Tapiola Sinfonietta & Mario Venzago - Brahms: Symphonies Nos. 1-4, Serenades Nos. 1 & 2 (2018)
FLAC (tracks) 24-bit/96 kHz | Time - 220:42 minutes | 3.72 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

The size of the orchestra and the arrangement of the orchestra is similar to the situation of the historic Hofkapelle in Meiningen, where the composer’s 4th symphony had been performed for the first time Fascinating new sound impression of well known classical pieces. Appealing and interesting version of Brahms’ immortal symphonies. About the artists Mario Venzago is the principal conductor and artistic director of the Bern Symphony Orchestra, Artist in Association at Finland's Tapiola Sinfonietta and a regular guest conductor of the Kammerorchester Basel.
Rafael Kubelik and Wiener Philharmoniker - Brahms: Symphonies Nos. 1-4 (2017)

Rafael Kubelik and Wiener Philharmoniker - Brahms: Symphonies Nos. 1-4 (2017)
Classical | MP3 CBR 320 kbps | 02:38:20 | 363 MB
Label: Decca Music Group Limited

Even while creating a sensation across the US, with concerts in Chicago, Cleveland, New York and further afield, Rafael Kubelík recorded the four symphonies of Brahms with the Vienna Philharmonic for Decca (in stereo) in the 1950s. Long unavailable, they are here presented together for the first time on CD, in an economical 2CD package, further enhanced by both new digital remasterings from the original tapes, and an extensive appreciation of the happy marriage of composer and conductor by Rob Cowan.
Luzerner Sinfonieorchester, Michael Sanderling - Brahms: Symphonies Nos 1-4 (2023) [Official Digital Download 24/96]

Luzerner Sinfonieorchester, Michael Sanderling - Brahms: Symphonies Nos 1-4 (2023) [Official Digital Download 24/96]
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 03:42:13 minutes | 3,77 GB
Classical | Studio Master, Official Digital Download

When Michael Sanderling took up the post of principal conductor with the Lucerne Symphony Orchestra in 2021, it marked the beginning of a collaboration that has attracted worldwide attention.
Luzerner Sinfonieorchester, Michael Sanderling - Brahms: Symphonies Nos 1-4 (2023)

Luzerner Sinfonieorchester, Michael Sanderling - Brahms: Symphonies Nos 1-4 (2023)
FLAC (tracks), Lossless/ MP3 320 kbps | 3:42:13 | 507 / 940 Mb
Genre: Classical / Label: Warner Classics

In their first Warner Classics release of symphonic repertoire, the players of the Lucerne Symphony Orchestra and their Chief Conductor Michael Sanderling perform the four Brahms Symphonies and Schoenberg’s orchestration of Brahms’ Piano Quartet in G minor. Founded in 1805, the Lucerne Symphony Orchestra (Luzerner Sinfonieorchester) is Switzerland’s oldest orchestra. As Sanderling points out, Brahms made two visits to Lucerne. “The location of Switzerland’s central city, creates a link with Brahms,” says Sanderling. “Its proximity to the mountains, its position on beautiful Lake Lucerne … I can hear that in Brahms’ symphonic music. I can hear his love for nature … the purity of the air. And in his Symphony No 1, I think we can all hear the sound of the alphorn, which Brahms heard for the first time in Switzerland and which inspired the gorgeous theme [of the symphony’s fourth movement].” Sanderling feels that, more than 200 years into its existence, new vistas –especially in the symphonic repertoire of late Romanticism – are opening up for the Lucerne Symphony Orchestra. He and the players are looking forward to further voyages of discovery.