(drama) Mayis Sikintisi [clouds of May] 1999 New Rip

Ascension of Shadows is a large-scale tribal groove atmosphere from Steve Roach and Vidna Obmana (Dirk Serries). This three-disc set runs the gamut of long-form composition. This chapter in the collaborative work between Steve Roach and Vidna Obmana is sure to delight those who appreciate the more serene, atmospheric side of their work together. On Ascension, the artists return to a more minimal core of sounds and approaches to reveal an atmosphere that flows for over three hours. As the acceleration toward the new century builds, this music offers a space for repose so needed these days.

Nat "King" Cole's piano trio has been an inspiration for many of today's young lions: from Diana Krall to this talented vocalist-guitarist, John Pizzarelli. Taking his cue from the fleet-fingered dexterity of Cole's guitar ace Oscar Moore, Pizzarelli combines economical licks with wispy, Chet Baker-like vocalism's on this candlelight tribute consisting of Cole-associated songs, accompanied by bassist brother Martin Pizzarelli and pianist Ray Kennedy. The tunes are sung and swung with reverence and rhythm: the easygoing "Walkin' My Baby Back Home," the furious, foot-stomping standard "Indiana," the plaintive ballad "I Love You for Sentimental Reasons," and the devilish and demure, "Don't Let It Go to Your Head." With the toe-tapping original composition "That's Nat," cowritten by Pizzarelli and Kennedy, Nat King Cole's intimate ballads and pre-bebop instrumentals are brought to a new generation with the leader's own tender and terrific talents.

Forty years after his classic quartet's first triumphant tour of the U.K. in 1958, Dave Brubeck took his then current group back for an anniversary visit, playing a mixed bag of old and new songs for fans both old and new. This time out, Brubeck's working quartet included two British natives, drummer Randy Jones and bassist Alec Dankworth (the son of British jazz superstars Cleo Laine and John Dankworth). Brubeck himself was the obvious draw for the crowds, but it's saxman Bobby Militello who is truly the musical star of the show. The highly regarded Militello shows he can roam across the entire spectrum of alto saxophone tonality, employing a light, delicate tone à la Paul Desmond one minute, then bearing down for some gritty, deep-throated improvisations the next…

For what would be his final of over 20 Blue Note albums, tenor saxophonist Hank Mobley uses a sextet that also includes trumpeter Woody Shaw, the obscure guitarist Eddie Diehl, pianist Cedar Walton, bassist Mickey Bass, and drummer Leroy Williams for a typically challenging set of advanced hard bop music. For the first and only time in his career, Mobley recorded a "Suite" (consisting of "Thinking of Home," "The Flight," and "Home at Last"); the remainder of the set has three of his other attractive originals plus Mickey Bass' "Gayle's Groove." This music was not released for the first time until 1980. It is only fitting that Hank Mobley would record one of the last worthwhile Blue Note albums before its artistic collapse (it would not be revived until the 1980s) for his consistent output helped define the label's sound in the 1960s. Mobley's excellent playing and the adventurous solos of Woody Shaw make this LP (his last as a leader) one to hunt for.

Following a period of hiatus, the long awaited return to the studio resulted in this classic album, recorded in 1999 with the band Visible Faith. Somewhat a departure from the style of Ken's older solo work, the album had an interesting mixture of Gospel and rock. Unfortunately the album is extremely hard to find these days, for those looking to buy a copy. Production ceased a few years ago and has yet to recommence. «A Glimpse Of Glory» is often called a ‘Christian’ album, though the number of songs with love lyrics (‘relationship songs’) is almost the same as the number of ‘spiritual’ ones. It was the first album Ken recorded and released after his return to music. «A Glimpse Of Glory» was a new musical material recorded at Hensley’s The Upper Room Studios in St. Louis, Missouri. It was released by his own label, HIS Records.

Andy Kirk's Orchestra was at the height of its popularity during the late 1930s, still riding high from their hit "Until the Real Thing Comes Along." The star of that record, singer Pha Terrell, is on the majority of the songs on this CD (the fourth in Classics' complete reissuance of the master takes of all Andy Kirk recordings from the swing era), but there are some hotter tunes too, most notably "Mess-A-Stomp," "Jump Jack Jump," "Dunkin' a Doughnut" and "Mary's Idea"…

Total Abandon: Australia '99 is a double live album and DVD by British hard rock band Deep Purple, recorded at Melbourne Park in Melbourne, Australia on 20 April 1999. Initially the album was available only in Australia (from Sept 1999). From 12 October 1999 it was made available as a mail order merchandise in Europe and later was also sold in music stores…

This is a classic encounter in the Original Jazz Classics series. Pianist Count Basie (in his best-small group outing of the 1970s) and tenor saxophonist Zoot Sims were mutually inspired by each other's presence and, with the tasteful assistance of bassist John Heard and drummer Louie Bellson, they can be heard playing at the peak of their creative powers. Every listener interested in swinging jazz should pick up this disc, if only to hear these hard-charging versions of "I Never Knew," "It's Only a Paper Moon," and "Honeysuckle Rose." A gem, and essential music.