0011001 Frederik Valentin

The colorful cover artwork complements the colorful music by flutist Dave Valentin.Kalahari has ballads that are beautiful and upbeat tunes heavy on syncopated beats with tons of Latin percussion. Included on the album are Wayne Shorter's "Fall" and Sonny Rollins' "Reel Life," in addition to several tunes penned by Valentin. Dave Grusin and Kevin Eubanks make guest appearances. A fine set.

Valentin Silvestrov is not just the Ukraine’s most prominent composer but also a major voice in the music of our time: a quiet voice, to be sure, and one that some will pigeon-hole at the soft-core end of the New Spirituality. But even a first encounter should suggest the presence of deeper perspectives, and encounters with the full range of his music only serve to confirm that impression. Russian commentators have long since ranged Silvestrov alongside Schnittke, Gubaidulina and Denisov as one of the most important figures that came to maturity in the 1970s. It was then that he produced music such as the two Cantatas – the earlier one for soprano and chamber orchestra, setting words by Tyuchev and Blok, the later one for a cappella choir to verses by Ukraine’s national poet, Taras Chevchenko. Both works blend Webernian angularity with an ecstatic lyricism.

Solo piano works and the vocal cycle "Stufen" by the Ukrainian composer Valentin Silvestrov with the Russian pianist Alexei Lubimov and the Ukrainian soprano Viktoriia Vitrenko appear on the album "Valentin Silvestrov: Forgotten Word I Wished to Say" on Sony Classical as a co-production with BR-KLASSIK."

Smooth-ass jazz-funk courtesy of American-Latin flautist Dave Valentin. Great album originally released on GRP . If you like Tom Browne, Don Blackman etc then add this to your collection. Funky flute all the way through! Valentin beat the Ohio Players at their own game with that cover art too.

Solo piano works and the vocal cycle "Stufen" by the Ukrainian composer Valentin Silvestrov with the Russian pianist Alexei Lubimov and the Ukrainian soprano Viktoriia Vitrenko appear on the album "Valentin Silvestrov: Forgotten Word I Wished to Say" on Sony Classical as a co-production with BR-KLASSIK."

Charles-Valentin Alkan (November 30, 1813 - March 29, 1888), and his four brothers, all musicians, adopted their father's first name as their surname. Alkan Morhange (1780-1855) was the proprietor of a music school in Paris, and he early recognized among the musical talents of his sons the singular ones of young Charles-Valentin. Consequently, at the age of five Alkan was enrolled in the Paris Conservatory of Music, the breeding ground of many outstanding musicians and composers in the Nineteenth Century. Alkan studied composition and piano, making his debut at 12 years of age performing his own compositions as well as those of others. He seemed a star ascendant. Before he was 20 he embarked on the first of two trips abroad (the second two years later), the only times he was ever to leave Paris in his lifetime.

The Book of Genesis tells us that in the beginning was the Word and that the Word was sound. But what if it was music? What if God, in contemplating the creation of Creation, sang being into being? If so, it might have sounded something like the Sacred Songs of Valentin Silvestrov. In this seventh ECM album devoted to the Ukrainian composer’s music, we thusly encounter a sense of space unique to the Russian liturgy: the more the voices unify in movement, the more they lift from one another like temporary tattoos, leaving behind mirror images that wash away with baptism into infinite oneness with the Holy Spirit. Sin as sun. Firmament as fundament.

Valentin Rathgeber was a very successful composer in Germany in the first half on the 18th century. He was born in Fulda and studied theology in Würzburg where he also became a schoolmaster and an organist. In 1707 he entered the monastery at Banz as a chamber musician, and there he was ordained in 1711. In the same year he was appointed choirmaster, a post he held until his death. As a composer he concentrated on writing sacred music for churches which couldn't afford professional singers and players. His music is melodious and technically not very demanding. This was the main reason it became very popular throughout Germany.