100 Tetes

Originally a punk rock act influenced by the Clash and more traditional rock elements such as the Stones and Chuck Berry (under its original moniker, Tet Red, the group was known for live covers of the aforementioned artists), Têtes Raides eventually moved into more acoustic and traditional French territory (taking in more domestic influences, such as Jacques Brel and Les Négresses Verts), mixing straight-ahead rock with French music stylings from the midpoint of the 20th century.

Un marathon ? Une promenade de santé ! L’ascension du mont Blanc ? Déjà fait ! Un saut en parachute ? Les doigts dans le nez ! Un baptême de plongée ? Une évasion pour touristes ! Aujourd’hui, des milliers d’anonymes en quête de frissons refusent de se contenter d’exploits à la portée de tout le monde ou presque. …

Jesse Schell livre dans cet ouvrage, largement plébiscité par la profession, une méthodologie complète de conception de jeu. Dans un style limpide et informel, il décortique le processus de création et amène le lecteur à se poser un ensemble de questions cruciales qui lui permettra d'améliorer considérablement la qualité de son produit. …

This perennially popular annual compilation had Australia listening to Camille before she became a JJJ darling, Fade Out Line before The Avener’s remix topped charts across Europe, Yael Naim’s New Soul before it became the soundtrack to Apple’s MacBook Air, and to Lilly Wood and the Prick ahead of Prayer C becoming an international hit. Dancing, hanging out with friends, enjoying sunny afternoons in the garden with a glass of Champagne in hand; So Frenchy has been a soundtrack of musical joie de vivre. And now, to celebrate a decade of friendship, its curators have carefully culled its whopping 360-song playlist down to the very best of the best.

After Les Danaïdes and Les Horaces, Les Talens Lyriques concludes the group’s cycle of Antonio Salieri’s French operas with the world premiere recording of Tarare. Often unfairly overshadowed by his brilliant contemporary Mozart, Salieri here composed a genuine masterpiece on the only libretto ever written by Beaumarchais.