1000 Konstruktionsbeispiele Werkzeugbau

'' 1000 Original Hits '' is the title of a compilation series published by EMI Plus (Europe). This release contains portions of this series, released in 2001, containing works performed from 1970 to 1979.

'' 1000 Original Hits '' is the title of a compilation series published by EMI Plus (Europe). This release contains portions of this series, released in 2001, containing works performed from 1950 to 1959.

'' 1000 Original Hits '' is the title of a compilation series published by EMI Plus (Europe). This release contains portions of this series, released in 2001, containing works performed from 1960 to 1969.

'' 1000 Original Hits '' is the title of a compilation series published by EMI Plus (Europe). This release contains portions of this series, released in 2001, containing works performed from 1980 to 1989.

'' 1000 Original Hits '' is the title of a compilation series published by EMI Plus (Europe). This release contains portions of this series, released in 2001, containing works performed from 1990 to 1999.

Mingus Dynasty - Chair In The Sky (1979) {2013 Japan Jazz Best Collection 1000 Series 24bit Remastered}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 314 Mb | MP3 @320 -> 108 Mb
Full Artwork @ 600 dpi (jpg) -> 30 Mb | 5% repair rar | 24bit remaster
© 1979, 2013 Elektra / Warner Japan / WEA / Rhino | WPCR-27440 | Jazz Best Collection 1000 Series
Jazz / Post Bop / Progressive Jazz

Features 24 bit remastering and comes with a mini-description. After bassist/composer Charles Mingus' death on January 5, 1979, a reunion band featuring some of his former sidemen called Mingus Dynasty was formed. Cut just six months after the bassist's demise, this album was the first Mingus Dynasty recording, and it has its moments. Such alumni as altoist John Handy, trombonist Jimmy Knepper, trumpeter Jimmy Owens, and tenorman Joe Farrell meet up with two members of Mingus' last major band (pianist Don Pullen and drummer Dannie Richmond), plus bassist Charlie Haden, who ably fills in for the late bandleader.

George Benson - It's Uptown (1966) {2015 Japan Jazz Collection 1000 Columbia-RCA Series SICJ 33} (ft. Dr. Lonnie Smith)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 382 Mb | MP3 @320 -> 143 Mb
Full Artwork @ 600 dpi (png) -> 324 Mb | 5% repair rar
© 1966, 2015 Columbia / Sony Music Japan | SICJ 33
Jazz / Hard Bop / Jazz Pop / Soul Jazz / Guitar / Organ Hammond B-3

Reissue with the latest remastering. Comes with liner notes. George Benson's first LP for Columbia – a hard, heavy, soul jazz slammer that bears no resemblance to his overproduced work of the 70s! The album's a real cooker – recorded hot on the heels of Benson's classic work on Prestige with the Jack McDuff group, and sounding a lot like McDuff's hard wailing organ jazz of the same time. George is working with a group that features a young Lonnie Smith on organ, plus Blue Mitchell on trumpet, Ronnie Cuber on sax, and Charlie Persip on drums – all tightly coming together, and jamming hard on the album's short cooking tracks. Tracks include "Clockwise", "Jaguar", "Hello Birdie", and "Bullfight". Plus, the CD adds five bonus tracks, including "Sideman", "Minor Chant", and the previously unreleased "J.H. Bossa Nova" and "Clockwise (Alternate Take)".

The Chico Hamilton Quintet - Gongs East! (1958) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster} (ft. Eric Dolphy)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 216 Mb | MP3 @320 -> 88 Mb
Full Artwork @ 600 dpi (png) -> 191 Mb | 5% repair rar | 24bit remaster
© 1958, 2013 Warner Bros. / Warner Japan / WEA / Rhino | WPCR-27232 | Jazz Best Collection 1000 Series
Jazz / Cool / West Coast Jazz / Bop / Drums / Saxophone / Clarinet

Features 24 bit remastering and comes with a mini-description. Quite possibly the best album to feature the talents of Chico Hamilton and Eric Dolphy – a set recorded at a time when Dolphy was an up-and-coming player on the west coast scene! Although Chico Hamilton had recorded with unusual reed players before, Dolphy brings a depth of soul and spirit to this album that's missing from a lot of Chico's earlier work at the time – a style that still holds onto some of the measured qualities of the Pacific Jazz work by the Hamilton group, yet which also opens up into some of the darker corners that Dolphy would explore more on his own recordings of the 60s.