101 Crucial Lessons They Don't Teach in Business School

One of the most respected British conductors of Mozart; Jane Glover was, from 1984 to 1991, Artistic Director of the London Mozart Players. Under her leadership the orchestra expanded its repertoire beyond the great 18th Century classics to take in a wider range of contemporary works. In addition to their adventurous and highly praised London concerts, Jane Glover and the orchestra toured throughout the U.K. and abroad, to France, Germany, Italy, Spain, Japan and the Far East. In 1991 they made their sixth appearance together at the BBC Promenade Concerts. Their many recordings include a major and highly acclaimed series of Mozart and Haydn symphonies for ASV (the set of Mozart's Symphonies 25-41 won the Music Retailers' Association Award for Excellence in 1992, as had their recording of arias with Felicity Lott in 1991), as well as works by Britten and Walton.

On Nov. 17, Morrissey returns with Low In High School. As the cover artwork – which shows a young boy standing in front of Buckingham Palace toting an "axe the monarchy" sign as well as an axe – indicates, the former Smiths frontman hasn't mellowed with age. In fact, Low In High School is one of his most political musical statements in an already outspoken career, tackling everything from blood-for-oil wars to resistance to corporate media over the course of 12 tracks.

Beverly "Guitar" Watkins, best known for performing with Piano Red in his outfit Doctor Feelgood and the Interns during the early '60s, returns to active recording with Back in Business, a collection of tracks that finds her comfortably covering electric blues, R&B, and old-fashioned rock & roll. Subtle gospel and jazz shadings appear from time to time, but Watkins generally concentrates on rocking the house, revisiting Piano Red-era classics (including "Right String but the Wrong Yo-Yo"), and introducing some eminently likable new compositions. All in all, a successful return.

With 2013's English Electric, Orchestral Manoeuvres in the Dark made a record that paid tribute to their heroes Kraftwerk, while also embracing their own mid-'80s sound, which made them the darlings of the John Hughes set. They must have liked the formula they used to get that result, because they repeat it on 2017's The Punishment of Luxury. Now down to the duo of Andy McCluskey and Paul Humphreys, they've once again crafted a sleek and shiny synth pop album that has all the clean lines of their original incarnation and all the gloss of their poppiest era. It makes for a very nostalgic listening experience, but it never feels like a museum piece, especially since neither man's voice sounds like it has aged a day…