On Nov. 17, Morrissey returns with Low In High School. As the cover artwork – which shows a young boy standing in front of Buckingham Palace toting an "axe the monarchy" sign as well as an axe – indicates, the former Smiths frontman hasn't mellowed with age. In fact, Low In High School is one of his most political musical statements in an already outspoken career, tackling everything from blood-for-oil wars to resistance to corporate media over the course of 12 tracks.
When Made In Germany published their eponymous album on Metronome in 1971, this was the reward for their committed practising in grumpy rehearsal rooms for many years. All this began at Beethoven Gymnasium (College) in West Berlin. The West Berliners had started as a schoolboy band in order to play the hits of their protagonists. Under the name of "Cosmics" they still considered the "making of music" a hobby. In 1968 they won the first prize in an international beat festival together with the Chechen band "Atlantis". The bands became friends and saw each others. When the musicians of "Atlantis" split up, their guitarist (Stan Regal) stayed in Berlin, married and started to work in Audio recording studio. This was a favourable combination for the band to fulfil their dream to record their music material in a proper recording studio and to get a recording contract as they were technically well-experienced and sufficiently self-confident, too…
In the years following the 2014 release of World Peace Is None of Your Business, Morrissey's ornery contrarianism curdled. Once he embraced Brexit and flirted with xenophobia, he began to shed fans, including such prominent musical acolytes as Gene's Martin Rossiter. Defiant as always, Morrissey leans into these criticisms on 2017's Low in High School, populating the album with swipes at the mainstream media and contrived news – words that deliberately echo arguments emanating from the right wing in both the U.S. and the U.K.
With 2013's English Electric, Orchestral Manoeuvres in the Dark made a record that paid tribute to their heroes Kraftwerk, while also embracing their own mid-'80s sound, which made them the darlings of the John Hughes set. They must have liked the formula they used to get that result, because they repeat it on 2017's The Punishment of Luxury. Now down to the duo of Andy McCluskey and Paul Humphreys, they've once again crafted a sleek and shiny synth pop album that has all the clean lines of their original incarnation and all the gloss of their poppiest era. It makes for a very nostalgic listening experience, but it never feels like a museum piece, especially since neither man's voice sounds like it has aged a day…
With 2013's English Electric, Orchestral Manoeuvres in the Dark made a record that paid tribute to their heroes Kraftwerk, while also embracing their own mid-'80s sound, which made them the darlings of the John Hughes set. They must have liked the formula they used to get that result, because they repeat it on 2017's The Punishment of Luxury. Now down to the duo of Andy McCluskey and Paul Humphreys, they've once again crafted a sleek and shiny synth pop album that has all the clean lines of their original incarnation and all the gloss of their poppiest era. It makes for a very nostalgic listening experience, but it never feels like a museum piece, especially since neither man's voice sounds like it has aged a day…