Mostly Other Peopele Do the Killing is back! And with it the rightly slandered genre of smooth jazz. This quintet's fifth studio album was penned by MOPDtK bassist Moppa Elliott after a lengthy immersion in the smooth jazz recordings of the late 1970s and '80s. Elliott extracted certain idiomatic phrases, harmonies and embellishments from this superficial and commercial style, incorporated into his own compositions and used all the quartet members' encyclopedic knowledge to shed new light on this often maligned sub-genre.
The Orchestra of the Eighteenth Century continues its vibrant music-making journey, very much in the spirit of its late founder Frans Brüggen, with specially invited conductors. In order to tackle Beethoven's mighty 'Missa Solemnis', the orchestra formed a partnership with highly-regarded Daniel Reuss, who has recorded a sizeable number of critically-acclaimed choral masterpieces, many of them with Cappella Amsterdam. This fine Dutch chorus is possessed of all the right skills to climb this glorious mountain of a work; notably vocal agility and stamina. The chorus is joined by an outstanding quartet of soloists in Carolyn Sampson, Marianne Beate Kielland, Thomas Walker and David Wilson-Johnson. The Orchestra of the Eighteenth Century has significant experience performing the music of Beethoven on period instruments (and its current concert schedule embraces the symphonies, piano concertos and Fidelio), all the more necessary with such a demanding work.
The Grosses Festpielhaus in Salzburg has been the scene of countless memorable musical events - operas, concerts and recitals - for 50 years. Here is a unique chance to celebrate the glories of this distinguished era. In an exceptional collaboration with the Salzburg Festival, we have prepared a 25-CD box set - 5 complete operas, 10 concerts and 2 recitals - featuring many of the world's greatest artists, in recordings with classical status and others that are appearing on CD for the first time. Concerts (five out of ten are first-time releases): with Abbado, Bernstein, B hm, Boulez, Karajan, Levine, Mehta, Muti, Solti. Soloists include Anne-Sophie Mutter and Jessye Norman.
Back when live albums were fixtures of rock & roll discographies, common practice dictated that a band should accumulate…oh, about four studio long-players' worth of material before even considering itself deserving of releasing such a "career-crowning" document. Of course "common practices" never applied to metallic trio Sodom, one of three legendary German thrash bands (along with Destruction and Kreator) to steamroll through the 1980s and help pave the way for virtually all European extreme bands that followed. Believe it or not, to many of these, 1988's Mortal Way of Live was as influential and thrilling a live album as Deep Purple's Made in Japan had been to previous generation…