12inchsounds 12inchsounds Nu Disco Wav Midi

Purple Disco Machine asserts his production prowess on his sophomore album Exotica featuring hits like “Fireworks,” “Hypnotized,” and more!

This may not be the first full-length outing for occasional Nang contributors Venice Beach - they've previously released a few albums of re-edits - but it is their first set of original productions. Beginning with the Gauloises sporting Italo-disco chug of "No Complex", Parisian Disco is a perfect showcase for the duo's distinctive brand of synth-heavy nu-disco. Highlights include the rubbery dub disco grooves and dancing melody lines of "Medusa Lounge", the similarly throbbing party business of "Paradise" - all slap bass and big build-ups - and the dreamy nu-disco/deep house fusion of "Unique". The album's two vocal moments are pretty tidy, too, making it a quietly impressive collection of tracks.

Disco Delight brings together 40 dance-floor classics from the days when disco balls and glitter reigned! This 2-CD set features hits, DJ favorites and lost gems from the likes of Amanda Lear, Ami Stewart, Shalamar, The Whispers, Shirley & Co, Loleatta Holloway, Midnight Star, Positive Force, Real Thing and more artists who enjoyed immense popularity during the thrilling disco era.

The Disco Demands series started sometime in the early 2000s - I couldn't give you an exact year because it didn't feel like a big deal, so I never noted it. I simply wanted to put out a compilation of some records I really liked and maybe make a little of the money back I was spending on them. Buy some food and stuff.
There's always been Disco comps around of course but there was rarely anything that strayed too far from the standards.. the same songs kept appearing over and over again, or the comps would feature records you could pick up anywhere for little money. I've never seen the point in that. I gave up judging a record on its value or rarity a long time ago but surely there's more to disco than Exodus, Martin Circus, Mass Production and all those Salsoul, West End and bloody Prelude records. So it was a nice surprise to find that there were other people out there who thought the same way.

The Disco Demands series started sometime in the early 2000s - I couldn't give you an exact year because it didn't feel like a big deal, so I never noted it. I simply wanted to put out a compilation of some records I really liked and maybe make a little of the money back I was spending on them. Buy some food and stuff.
There's always been Disco comps around of course but there was rarely anything that strayed too far from the standards.. the same songs kept appearing over and over again, or the comps would feature records you could pick up anywhere for little money. I've never seen the point in that. I gave up judging a record on its value or rarity a long time ago but surely there's more to disco than Exodus, Martin Circus, Mass Production and all those Salsoul, West End and bloody Prelude records. So it was a nice surprise to find that there were other people out there who thought the same way.

The Disco Demands series started sometime in the early 2000s - I couldn't give you an exact year because it didn't feel like a big deal, so I never noted it. I simply wanted to put out a compilation of some records I really liked and maybe make a little of the money back I was spending on them. Buy some food and stuff.
There's always been Disco comps around of course but there was rarely anything that strayed too far from the standards.. the same songs kept appearing over and over again, or the comps would feature records you could pick up anywhere for little money. I've never seen the point in that. I gave up judging a record on its value or rarity a long time ago but surely there's more to disco than Exodus, Martin Circus, Mass Production and all those Salsoul, West End and bloody Prelude records. So it was a nice surprise to find that there were other people out there who thought the same way.

Wenn man über zwei DJs redet, die es geschafft haben, eine echte Marke in der Musikwelt zu etablieren, die außerdem für eine legendäre Compilation-Serie verantwortlich sind, dann redet man ganz sicher über The Disco Boys.
Auf »The Disco Boys Vol. 16« vereinen die dynamischen Sonnenbrillenträger jetzt endlich wieder 60 Tracks Original Club Sound auf 3 CDs! Aus einer Vielzahl von Genres wie House, Electro, Disco, Funk, Indie, Nu Disco, Deep House und EDM generieren Raphael und Gordon drei einzigartige DJ-Sets, die das Prädikat »Original Club Sound« verdienen: Die Mixe warten mit handverlesenen Sound-Delikatessen auf und halten die Essenz einer gelungenen Club-Nacht fest. Aktuell ist das Dream Team wieder unterwegs, um ihren Fans in Tanzpalästen quer durch die Republik unvergessliche Nächte zu bereiten.

Alright!: Black American Dance Music from the Disco Era Review by Amy Hanson
Most people shunt disco into a category either well-stuffed with white suits, mirror balls and Tony Manero wannabes from the movement's American heyday, or packed with the Euro stylings of Giorgio Moroder and synthesized grooves. As a result, the era has been distilled into a standardized set list of mixes, club staples and ho-hum rip offs. However, what disco actually set out to be, and its shape and nature before it was corrupted by the mainstream dreamers, proves a fascinating, stunning and forgotten history. Alright! Black American Dance Music from the Disco Era is the history by which our modern text is written. In the very beginning, disco wasn't about the flashing lights and hip tripping clothes at all, it was solely about capturing the best groove, hitting the vibe and letting it all spool out from that one perfect beat. People crowded onto club floors to dance, to move with songs that were politicized rather than plastic, songs that made and were made famous by the early labels Westbound and Century.