154 is the third album by the English post-punk band Wire, released in 1979 (see 1979 in music) on EMI imprint Harvest Records in the UK and Europe and Warner Bros. Records in America. Branching out even further from the minimalist punk rock style of their earlier work, 154 is considered a progression of the sounds displayed on Wire's previous album Chairs Missing, with the group experimenting with slower tempos, fuller song structures and a more prominent use of guitar effects, synthesizers and electronics.
Two particularly spectacular personalities of the Baroque period, which was not short of exciting figures: Antonio Veracini, violin virtuoso, teacher and composer in Florence. Although he was a highly respected musician and teacher in his own time, only few of his works have survived. His nephew Francesco Maria, to whom he taught violin and composition, was a completely different type.
The Great American Songbook Collection contains all four volumes of Rod's groundbreaking series plus a bonus DVD of live recordings and the music videos for 'These Foolish Things' and 'Time After Time'…
The Doors of Perception, recorded by Dave Pike and his group, is one of the oddest records in his rather exotic – and utterly hip – discography. Produced by Herbie Mann and featuring a cast of all-stars including Lee Konitz, Eddie Daniels, Don Friedman, Chuck Israel, and Arnie Wise, this is the Pike version of an acid experiment. On this 1970 release (recorded perhaps as early as 1966), Mann gets all crazy with sound effects like echo chamber, piped-in applause from a make-believe audience, thunderstorms, the dancefloor of a crowded discotheque, a Leslie speaker recorded on overload on warbling audio tape, perhaps even the sound of a live date.