175 Years American Orchestra

This is the third volume of the Neil Young Archives series of box sets produced by Neil Young. A definitive, comprehensive, and chronological record of his entire body of released work. - Volume III covers the period from 1976 through 1987, an extremely productive and musically diverse period in Neil Young's career that included the release of several classic albums including Comes A Time, Rust Never Sleeps, Live Rust and Trans. Spanning 11 years, this Archives box set covers more years, and includes more music and video than the previous two volumes in the Archives series. - The 17 CDs in the box set contains 15 completely unreleased songs, and 121 unreleased versions (original versions, alternate versions, different mixes, live tracks). Included are the unreleased albums Oceanside Countryside, Johnny's Island and Summer Songs. 14 hours of audio.

Claudio Abbado was one of the leading conductors of the late twentieth and early twenty-first centuries. He held a number of prestigious posts, any one of which would be a crowning achievement for a conductor, and his musical presence in both concert and recordings left an undeniable legacy of excellence. His family traced its roots to a prominent Moorish family expelled from Spain in 1492 and is said to include the architect of the Alhambra.

Acclaimed as one of the greatest interpreters of Mozart, Portuguese pianist Maria-João Pires is an artist who combines exquisite stylistic refinement with a serious effort to plumb the intellectual complexities and spiritual depths of music. Refusing to conform to the traditional image of a concert virtuoso, Pires emphasizes the spiritual dimensions of music, always searching for hidden meanings which may elude the analytical performer. This remarkable reverence toward works of music, clearly manifested in her performances of Mozart, was made explicit by her remark that, as a performer, she acts as a channel for the composer's ideas.

Herbert von Karajan was the most renowned conductor to emerge from Europe in the post-World War II era – and through fortuitous timing throughout his career, and in spite of controversy that dogged his early years, he was the most recorded conductor of the 20th century, and is likely to remain one of the most visible (and biggest-selling) conductors well into the 21st century. Born in Salzburg and descended from a family of Greek origin with deep roots in Austria – including scholars and physicians in Vienna and Salzburg – he was a music prodigy, playing the piano at three and playing his first recital a year later.

Although St. Louis was as important to the development of late 19th and early 20th century African American music as New Orleans, Memphis, Kansas City, and Chicago, recordings by early St. Louis jazz bands appear to have been marginalized and underappreciated as reissue compilations focus mainly upon the Crescent City, the Windy City, and the Big Apple. In 1997, the Timeless label released Jazz in St. Louis, a 23-track sampling of rare wax dating from the years 1924-1927.

Xenakis was one of the major figures of 20th-century music, composing some 150 works for orchestra, instruments, voices, stage, and electronics.

Referenece Recordings proudly presents an imaginative album of three compositions by Johannes Brahms, in an outstanding interpretation from Michael Stern and the Kansas City Symphony. It features the first recording of American composer and Kansas City native Virgil Thomson’s 1957/8 orchestration of Brahms: Eleven Chorale Preludes for organ, op. 122. It also contains composer Bright Sheng’s enchanting orchestration of the Brahms Intermezzo for solo piano, op. 118, No. 2, and the beloved and spectacular Arnold Schoenberg orchestration of the Piano Quartet No. 1 in G Minor, op. 25. "Brahms: Reimagined Orchestrations" was produced by GRAMMY® winner Peter Rutenberg, who has over half a century of experience in the music industry as a producer, composer, director, and teacher. This album was engineered by RR’s esteemed technical team, composed of GRAMMY® winning engineer ‘Prof’ Keith O. Johnson and multi-GRAMMY® nominated engineer Sean Royce Martin. For nearly 50 years, Reference Recordings has been one of the most innovative and respected independent labels in the music business. Reference Recordings releases have been highly praised for their dedication to high quality sound in the service of great music. After more than 175 releases, RR is still recording what many consider to be the finest-sounding classical, jazz and blues discs in the world.

Referenece Recordings proudly presents an imaginative album of three compositions by Johannes Brahms, in an outstanding interpretation from Michael Stern and the Kansas City Symphony. It features the first recording of American composer and Kansas City native Virgil Thomson’s 1957/8 orchestration of Brahms: Eleven Chorale Preludes for organ, op. 122. It also contains composer Bright Sheng’s enchanting orchestration of the Brahms Intermezzo for solo piano, op. 118, No. 2, and the beloved and spectacular Arnold Schoenberg orchestration of the Piano Quartet No. 1 in G Minor, op. 25. "Brahms: Reimagined Orchestrations" was produced by GRAMMY® winner Peter Rutenberg, who has over half a century of experience in the music industry as a producer, composer, director, and teacher. This album was engineered by RR’s esteemed technical team, composed of GRAMMY® winning engineer ‘Prof’ Keith O. Johnson and multi-GRAMMY® nominated engineer Sean Royce Martin. For nearly 50 years, Reference Recordings has been one of the most innovative and respected independent labels in the music business. Reference Recordings releases have been highly praised for their dedication to high quality sound in the service of great music. After more than 175 releases, RR is still recording what many consider to be the finest-sounding classical, jazz and blues discs in the world.

Referenece Recordings proudly presents an imaginative album of three compositions by Johannes Brahms, in an outstanding interpretation from Michael Stern and the Kansas City Symphony. It features the first recording of American composer and Kansas City native Virgil Thomson’s 1957/8 orchestration of Brahms: Eleven Chorale Preludes for organ, op. 122. It also contains composer Bright Sheng’s enchanting orchestration of the Brahms Intermezzo for solo piano, op. 118, No. 2, and the beloved and spectacular Arnold Schoenberg orchestration of the Piano Quartet No. 1 in G Minor, op. 25. "Brahms: Reimagined Orchestrations" was produced by GRAMMY® winner Peter Rutenberg, who has over half a century of experience in the music industry as a producer, composer, director, and teacher. This album was engineered by RR’s esteemed technical team, composed of GRAMMY® winning engineer ‘Prof’ Keith O. Johnson and multi-GRAMMY® nominated engineer Sean Royce Martin. For nearly 50 years, Reference Recordings has been one of the most innovative and respected independent labels in the music business. Reference Recordings releases have been highly praised for their dedication to high quality sound in the service of great music. After more than 175 releases, RR is still recording what many consider to be the finest-sounding classical, jazz and blues discs in the world.