18k Anti Anti (doom Edition)

Includes the 2012 remaster of the original album, in addition to a rare 1974 quad mix of the album folded down to stereo, plus two concerts from 1970, from Montreux and Brussels. The four-disc set comes with a 68 page hardbound book with extensive liner notes featuring new interviews with all four band members, rare photos, and memorabilia, a poster, as well as a replica of the tour book sold during the Paranoid tour.

Before Type O Negative, there was really no such thing as goth metal. And the group that hails from the bowels of Brooklyn (not Transylvania, as some assume) is still at it, on their sixth studio album overall – and first for the SPV label – 2007's Dead Again. Unbelievably heavy sludge riffs are still a main ingredient, as well as singer Pete Steele's ongoing "Kill me, I'm in agony" lyrics, and vocals that sometimes sound quite Bela Lugosi-esque…

Heavy metal always provides in our hour of need. The return of Sorcerer seems particularly timely, such is the Swedes' noted mastery of an epic, classic and utterly ageless strain of doom metal that can hardly fail to resonate in an age of widespread mourning. Perhaps more importantly, however, "Lamenting of the Innocent" is far more than just another exercise in sledgehammer sorrow. Metal's ability to inspire and uplift hardly needs restating here, but within seconds of first track proper "The Hammer of Witches", it's obvious that this is as much a celebration of heavy metal as it is a funeral march. Weirdly, there is much joy and reassurance lurking in these snail's-pace hymns to religious misdeeds and spiritual torment…

An early progenitor of funeral doom, Norway's FUNERAL have returned with ’Praesentialis in Aeternum,’ their first new album in nearly a decade! The quartet bring forth a soul-rending offering that is rife with agony and pain, providing a fitting soundtrack for the times. Crushing, mournful passages and soaring lead breaks amplify its sorrowful atmosphere, and are certain to rive the heart, mind, and soul of listeners.

John Williams - Indiana Jones: The Soundtracks Collection (2008) [5CD BoxSet, Limited Edition] {Concord}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.94 Gb | MP3 @320 -> 850 Mb
Full Artwork @ 300 dpi (png) -> 77 Mb | 5% repair rar
© 2008 Concord / Lucasfilm | CRE-31000-25
Soundtracks / Pop / Instrumental

Concord Records presents Indiana Jones: The Soundtracks Collection. This limited-edition boxed set includes all four of Oscar-winning composer John Williams' soundtracks for the Indiana Jones film series - RAIDERS OF THE LOST ARK, Indiana Jones and the Temple of Doom, Indiana Jones and the Last Crusade and this year's summer blockbuster Indiana Jones and the Kingdom of the Crystal Skull. Exclusive to this set are expanded and remastered versions of the original soundtracks for the first three films. The set also includes a bonus CD featuring additional previously unreleased music from the films, as well as excerpts from interviews with Williams, director Steven Spielberg, and executive producer/story creator George Lucas in which they discuss the making of the music for these historic films.

The blasphemous Italian death metal quartet HOUR OF PENANCE continues to pull no punches on its sixth album, "Regicide." The title for the follow-up to 2012's acclaimed "Sedition" is defined as the act of killing a monarch, and its venomous, anti-authoritarian blasts of brutality — recorded at Rome's famous 16th Cellar Studio (Fleshgod Apocalypse, Eyeconoclast)

Paradise Lost's career trajectory comes virtually full circle on 2009's Faith Divides Us - Death Unites Us, an album that sees the British metal veterans resuming virtually the exact same accessible goth doom style that characterized their most commercially and critically successful albums, in essence making it sound like the would-be successor to 1995's Draconian Times. Of course, in the real world, that successor was 1997's One Second, which initiated the group's often still remarkable but widely underrated voyage into a decade's worth of electro-goth rock experiments before the start of its metallic "rehabilitation" via a tentative eponymous set in 2005 and its far more focused follow-up, In Requiem, a couple of years later…