1973

Sex, laughs and large explosives combine in this action-packed double-bill. Two demented drive-in delights from the vaults of Harry Novak, both "Booby Trap" and "The Takers" are best summed up by the lovely Miss Barbi: "Listen, honey, these two are freak outs!"

A young woman (Meiko Kaji), trained from childhood as an assassin and hell-bent on revenge for the murders of her father and brother and the rape of her mother, hacks and slashes her way to gory satisfaction in turn-of-the-twentieth-century Japan. Rampant with inventive violence and spectacularly choreographed swordplay, Toshiya Fujita’s pair of influential cult classics Lady Snowblood and Lady Snowblood: Love Song of Vengeance are bloody, beautiful extravaganzas composed of one elegant widescreen composition after another. The first Lady Snowblood was a major inspiration for Quentin Tarantino’s Kill Bill saga, and both of Fujita’s films remain cornerstones of Asian action cinema.

“The changing dots, ectoplasmic shapes and electronic music of L. Schwartz’s ‘Mutations’ which has been shot with the aid of computers and lasers, makes for an eye-catching view of the potentials of the new techniques.” – A. H. Weiler, N. Y. Times

A young girl tries to find her way in life, suffering from her own naivete and sincerity.,Breezy (Kay Lenz) is a teenage hippie with a big heart. After taking a ride with a man who only wants her for sex, …

Laila is an innocent Lappish girl and the only daughter of a reindeer herder. During world war II Laila rescues crashed German fighter pilot Hans and the two develop warm feelings for each other during his convalescence. Years later, after the war, Hans returns to Lapland as a freelance photographer and manages to lure Laila to run away with him to capital Helsinki to start a career as a photo model, much to the chagrin of her traditional father Aslak. After initial happiness, however, Hans abandons Laila and the decadent lifestyle of a big city sends her life into a downward spiral.

A series of comedic and nostalgic vignettes set in a 1930s Italian coastal town.

Federico Fellini returned to the provincial landscape of his childhood with this carnivalesque reminiscence, recreating his hometown of Rimini in Cinecittà’s studios and rendering its daily life as a circus of social rituals, adolescent desires, male fantasies, and political subterfuge. Sketching a gallery of warmly observed comic caricatures, Fellini affectionately evokes a vanished world haloed with the glow of memory, even as he sends up authority figures representing church and state, satirizing a country stultified by Fascism. Winner of Fellini’s fourth Academy Award for best foreign-language film, Amarcord remains one of the director’s best-loved creations, beautifully weaving together Giuseppe Rottuno’s colorful cinematography, Danilo Donati’s extravagant costumes and sets, and Nino Rota’s nostalgia-tinged score.

Federico Fellini returned to the provincial landscape of his childhood with this carnivalesque reminiscence, recreating his hometown of Rimini in Cinecittà’s studios and rendering its daily life as a circus of social rituals, adolescent desires, male fantasies, and political subterfuge. Sketching a gallery of warmly observed comic caricatures, Fellini affectionately evokes a vanished world haloed with the glow of memory, even as he sends up authority figures representing church and state, satirizing a country stultified by Fascism. Winner of Fellini’s fourth Academy Award for best foreign-language film, Amarcord remains one of the director’s best-loved creations, beautifully weaving together Giuseppe Rottuno’s colorful cinematography, Danilo Donati’s extravagant costumes and sets, and Nino Rota’s nostalgia-tinged score.

The film depicts its protagonist, Joseph (Jan Nowicki), traveling through a dream-like world, taking a dilapidated train to visit his dying father in a sanatorium. When he arrives at the hospital, he finds the entire facility is going to ruin and no one seems to be in charge, or even caring for the patients. Time appears to behave in unpredictable ways, reanimating the past in an elaborate artificial caprice.

Tabloid life of a physicist; his work, his love life and his quest for the meaning beyond.