1st Press Japan Yngwie Malmsteen Pocp Trilogy

Midnight Madness is the second album from Night Ranger, released in 1983. The album contains the band's best known hit, "Sister Christian", and became the band's highest selling album, selling well over a million copies in the US.

The first compilation conceived by Deep Purple as opposed to the band's record company, and it's a flawless representation of the band's Mark II identity at its very best. The Made in Japan double live album consumes much of the single LP's body weight – the epic renditions of "Smoke on the Water," "Child in Time," and "Strange Kind of Woman" are, after all, among Deep Purple's most resonant moments. With "Woman from Tokyo," "Fireball," and "Never Before" peeling off singles, and "Speed King" excerpted from Deep Purple in Rock, 24 Carat Purple is truly a gold-plated depiction of the band at its all-time peak, before Ian Gillan and Roger Glover went their separate ways and an entire new journey kicked off with Burn.

"A Day At The Races" is another excellent album from Queen as a follow-up of the ground-breaking "A Night at The Opera". With the world success of "Bohemian Rhapsody" as major hit, Queen strived to maintain their position in rock music industry scheme. The result was really good. All songs contained in this album are excellent right from the opening to the end.

progarchives.com

Ian Gillan is an English rock music vocalist and songwriter, best known as the lead singer and lyricist for Deep Purple. THe album has a inf your face sound, it's highly energetic, it has punch, a tight band, with guitarist Steve Morris, bassist Leonard Haze. Very good hard rocking album.

Greatest Hits is a compilation album by the British rock group Queen. When released in November 1981, the record consisted of Queen's best-selling singles since their first chart appearance in 1974 with "Seven Seas of Rhye," until their most recent album at the time, "The Game".

"Barcelona" is an album recorded by Freddie Mercury, the front-man of the popular British rock band Queen, and operatic soprano Montserrat Caballe. The album was recorded in 1987 and 1988, and released in 1988. It is the final solo album recorded by Mercury, who died of AIDS on November 24, 1991.

Nothing's Changed is the second solo studio album by Joe Lynn Turner. Joe Lynn Turner is an American singer, guitarist, songwriter, and producer. He is known for his work in the hard rock bands Rainbow and Deep Purple. During his career, Turner fronted and played guitar with pop rock band Fandango in the late 1970s; and in the early 1980s, he became a member of Rainbow, fronting the band and writing songs with guitarist, Ritchie Blackmore and bassist, and producer, Roger Glover. After Rainbow had disbanded (the first time) in March 1984, he pursued a solo career, released one album, Rescue You, and then later did session work, singing background vocals for the likes of Billy Joel, Cher, and Michael Bolton. On the advice of Bolton, Turner began recording jingles for radio and television.

Still Waters is the twenty-first studio album by the pop group the Bee Gees, released on 10 March 1997 in the UK by Polydor, and on 6 May the same year in the US by A&M. As if they finally realized that they couldn't quite compete with contemporary musical fashions any more, the Bee Gees moved firmly into "mature" territory with Still Waters. However, they are canny enough to realize that they shouldn't abandon the frothy disco that made them superstars in the late '70s – they should merely temper it with measured rhythms and tasteful melodies. Consequently, nothing on Still Waters is infectious, but it is pleasant, and while only a handful of singles stand out – "I Could Not Love You More" is a sweet ballad – it is still a fine, professional effort from these consummate professionals.

The second of three straight iconic Iron Maiden albums, Piece of Mind marks the debut of what many regard as the definitive Maiden lineup, with the arrival of new drummer Nicko McBrain. McBrain's ability to duplicate the complex patterns of the guitar and bass riffs gives the band a seamless ensemble unity. Even Steve Harris, whose busy basslines were never exactly groove-oriented, has never felt more integrated into the overall sound. Perhaps part of that feeling comes from the less frantic pace; the average tempo has slowed somewhat from the preceding album, and the hold-over punk influences still present there have been completely eradicated. Instead, we get a few moodier, heavier pieces (especially "Revelations") that make the album darker-sounding overall.