1st Press Japan Yngwie Malmsteen Pocp Trilogy

“To find the Truth” is Trine Rein’s solo album of the 90’ies, and was entirely recorded in LA, California to be released in 1998. The album includes songs like ‘World Without You’ (later recorded by Beth Hart), ‘David’ and ‘Stars And Angels’, and Trine Rein had the honor of working with people like Louise Goffin, Guy Roche and Shelly Peiken, among others. Scott Cutler and Anne Previn were also involved on this album. The great Norwegian influence in this particular album cover, video and press pictures symbolize Trine’s passion for her childhood country, and her need to share the beauty of Norway with fans across the world.

Trouble or Nothin' is a 1989 album by female artist Robin Beck. It was produced by Desmond Child and recorded and mixed by Sir Arthur Payson. Robin Beck is an American singer. She topped the singles chart in the United Kingdom in 1988, and Germany in 1989, with her single "First Time", which had come to the public's attention via its use in a Coca-Cola commercial. Other well-known songs of hers are "Save Up All Your Tears", "In My Heart to Stay", "Tears in the Rain" and "Close to You". Also, "First Time" was successfully covered or sampled many times, the most recent was made by Sunblock in 2006, peaking at number nine on the UK Singles Chart. Beck also performed it with German pop star Helene Fischer.

The Alice Cooper Show is a live album by Alice Cooper, released by Warner Bros. in December 1977. It was recorded live in Las Vegas at the Aladdin Hotel on August 19 and 20, 1977, during Cooper's "King of the Silver Screen" United States tour. The TV special Alice Cooper and Friends featured live footage from that tour.

On True Colors, Cyndi Lauper began to edge her way into adult contemporary territory, but it was on her third album, A Night to Remember, that she concentrated all of her attention on becoming a self-consciously "mature" singer/songwriter. A Night to Remember doesn't always work, but not because she's incapable of performing polished, well-crafted middle-of-the-road material – "Time After Time" and "True Colors" prove that she could convincingly deliver ballads. Instead, the album bogs down because it assumes that labored arrangements and precisely detailed production are tantamount to musical sophistication. That said, there are some moments – such as the seductive "I Drove All Night" – that make a lasting impression, illustrating what Lauper was attempting to achieve with the record.

Ziggy Stardust wrote the blueprint for David Bowie's hard-rocking glam, and Aladdin Sane essentially follows the pattern, for both better and worse. A lighter affair than Ziggy Stardust, Aladdin Sane is actually a stranger album than its predecessor, buoyed by bizarre lounge-jazz flourishes from pianist Mick Garson and a handful of winding, vaguely experimental songs. Bowie abandons his futuristic obsessions to concentrate on the detached cool of New York and London hipsters, as on the compressed rockers "Watch That Man," "Cracked Actor," and "The Jean Genie." Bowie follows the hard stuff with the jazzy, dissonant sprawls of "Lady Grinning Soul," "Aladdin Sane," and "Time," all of which manage to be both campy and avant-garde simultaneously, while the sweepingly cinematic "Drive-In Saturday" is a soaring fusion of sci-fi doo wop and melodramatic teenage glam.

Heart was pretty much considered washed up when they released Heart in 1985. They learned a few important things while they had taken a short sabbatical – they knew that hooks were important and they knew they could play up their looks for MTV. So, they delivered both with Heart, giving their audience anthemic hooks and tightly corseted bosoms, leading to the most popular album they ever had. This doesn't mean it's the best, since its calculated mainstream bent may disarm some long-term fans, but it is true that they do this better than many of their peers, not just because they have good polished material from professional songwriters but because they can deliver this material professionally themselves.

Chris de Burgh is a British-Irish singer-songwriter and instrumentalist. He started out as an art rock performer but subsequently started writing more pop-oriented material. He has had several top 40 hits in the UK and two in the US, but he is more popular in other countries, particularly Norway and Brazil. His 1986 love song "The Lady in Red" reached number one in several countries. De Burgh has sold over 45 million albums worldwide. This Way Up is singer Chris de Burgh's eleventh original album, released in 1994.

After the jarring reception of 1999's Synkronized, Jamiroquai constructed A Funk Odyssey, something more polished and slick inside the band's own brand of funky disco-rock. Jason Kay and keyboardist/songwriter Toby Smith perfected a maturation that was left keyed in Travelling Without Moving but left open-ended on Synkronized for a wide scope of musical delight. A Funk Odyssey taps into various illustrious grooves of the Latin world, classic rock, and mainstream club culture, and Jamiroquai is tight and eager to make everyone shake their groove thing in their own light. The first single, "Little L," beams with Kajagoogoo-like synths while warping into a funk-driven hue of orchestral whirlpools, but Jamiroquai allows the band's extroverted and unattached personality to shine on the worldbeat-tinged "Corner of the Earth."

With songs that fall exactly in between Michael Jackson's Off the Wall period and A Taste of Honey, Jamiroquai's Synkronized is a funk-disco inferno that is distinguished from its 1970s counterparts only by its 1990s production. It contains all the same ingredients: wah-wah guitar, electric piano, soft-sided strings oozing out melody, pot-bellied bass, and a blasted-out horn section that evokes images of three guys stepping in sync while their sequined flairs swipe over white patent-leather loafers. While the funk is steamy enough to flatten the tallest 'fro, Jay Kay's impeccable ability to emulate Stevie Wonder's vocals brings on the cool side.

Outsider is Uriah Heep's 24th studio album. It follows the untimely passing of their beloved bass player, Trevor Bolder in May 2013. The recording started in late 2013 at Liscombe Park Studios in Buckinghamshire, England and features 11 brand new songs, including some epic additions to the band's huge catalog of rock classics. Uriah Heep debuted in 1970 with the release of one of Hard Rock music's milestones Very 'eavy… Very 'umble (which some rock historians argue contains the very FIRST heavy metal song ever, the classic Gypsy) and have since sold in excess of 30 million albums worldwide.