On Chris de Burgh's debut album, his gentle, beguiling vocal style is introduced, which instantly trademarks him as a genuine master of the soft ballad. de Burgh's engaging dominance of words and lyrics carries both his love songs and his simple light rock tunes to a higher level, thanks to the attention and care given to each of his pieces. As an inaugural album, the songs hold well as they are delicately cushioned by his voice, but are substantially thin where melody or appealing choruses are concerned. Both "Windy Night" and "Watching the World" draw the most attention, bringing de Burgh's silkiness to the focal point.
This album was recorded their gig at San Diego Sports Arena in San Diego, California, February 8, 1974. The line-up featured Mick Box, David Byron, Ken Hensley, Lee Kerslake, Gary Thain, were so called "classic" Heep line up and it's easy to hear why. This night was a powerful night.
Wings Greatest is a compilation album by Wings and is their eighth album as well as Paul McCartney's 10th since leaving the Beatles. It is notable as being the first official retrospective release from McCartney's post-Beatles career. Excepting interest in its vinyl LP mix, this collection has become largely irrelevant since the releases of All the Best! and Wingspan: Hits and History.
The Ballad Hits is the second greatest hits compilation album by Swedish pop duo Roxette, released on 4 November 2002 by Roxette Recordings and Capitol Records. It was the first of a two-part series of "best of" albums released by the duo in quick succession, and was followed by The Pop Hits in March 2003. Two new songs were recorded specially for The Ballad Hits: lead single "A Thing About You" and "Breathe". The album was a commercial success upon release, and has been certified gold or platinum in a number of territories.
This is the album that solidified Uriah Heep's reputation as a master of gothic-inflected heavy metal. From short, sharp rock songs to lengthy, musically dense epics, Demons and Wizards finds Uriah Heep covering all the bases with style and power. The album's approach is set with its lead-off track, "The Wizard": it starts as a simple acoustic tune but soon builds into a stately rocker that surges forth on a Wall of Sound built from thick guitar riffs, churchy organ, and operatic vocal harmonies. Other highlights include "Traveller in Time," a fantasy-themed rocker built on thick wah-wah guitar riffs, and "Circle of Hands," a stately power ballad with a gospel-meets-heavy metal feel to it.
Bluesbreakers with Eric Clapton was Eric Clapton's first fully realized album as a blues guitarist – more than that, it was a seminal blues album of the 1960s, perhaps the best British blues album ever cut, and the best LP ever recorded by John Mayall's Bluesbreakers. Standing midway between Clapton's stint with the Yardbirds and the formation of Cream, this album featured the new guitar hero on a series of stripped-down blues standards, Mayall pieces, and one Mayall/Clapton composition, all of which had him stretching out in the idiom for the first time in the studio. This album was the culmination of a very successful year of playing with John Mayall, a fully realized blues creation, featuring sounds very close to the group's stage performances, and with no compromises.
Berry Gordy, Jr. once said "Don't bore us – get to the chorus," which basically sums up most of pop music. It doesn't, however, do credit to Roxette, who has crafted some of the best tunes of the '80s and '90s. This compilation exhibits what pop masters Per Gessle and Marie Fredriksson are. It sums up major hits ("It Must Have Been Love," "Joyride"), minor hits ("Church of Your Heart," "How Do You Do!"), hard-to-find cuts ("Almost Unreal" from the Super Mario Bros. soundtrack), and new material ("Stars," "Wish I Could Fly"). Every song is a gem. Whether it's aching ballads like "Crash! Boom! Bang!," A/C/pop like "Dressed For Success," or techno/dance like "Stars," the two never miss a beat in terms of production, vocals, or lyrics.
Affirmation is the second and final studio album by Australian pop duo Savage Garden. The album was released on 9 November 1999 by Columbia Records. It won the 2000 ARIA Music Award for Highest Selling Album along it nominated the 2000 ARIA Music Award for Best Group but lost to Killing Heidi's Reflector and Best Pop Release but lost to Kylie Minogue's "Spinning Around".