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Kerygmatic Project - The Albums Collection (2012-2019)  Music

Posted by popsakov at Feb. 28, 2022
Kerygmatic Project - The Albums Collection (2012-2019)

Kerygmatic Project - The Albums Collection (2012-2019)
5CD | EAC Rip | FLAC (Img) + Cue + Log ~ 2,40 Gb | MP3 CBR320 ~ 965 Mb
Full Scans | RAR 5% Recovery
Ma.Ra.Cash #02 042012 / 03 092013 / MRC052 / MRC066 / MRC076
Progressive Rock / RPI

Kerygmatic Project was born in 1998, created by Samuele Tadini, Danilo Nobili and Marco Campagnolo, with the purpose of composing original music that recover in style and construction the great British progressive rock tradition of the seventies and eighties, renewed tradition with a new key able to embrace different styles, so as to constitute an original sound well recognizable. The Kerygmatic Project compositions are affected, in fact, from the contributions of various genres taken by rock, pop, jazz, fusion and classical music compositions, by proposing that, in fact, could hardly be categorized in a precise genre and that are the result a well-defined philosophy.
The Attaignant Consort, Kate Clark - Madame d'amours: Music for Renaissance Flute Consort (2007)

The Attaignant Consort, Kate Clark - Madame d'amours: Music for Renaissance Flute Consort (2007)
EAC | FLAC | Image (Cue&Log) ~ 350 Mb | Mp3 (CBR320) ~ 184 Mb | Scans included
Genre: Classical, Renaissance | Label: Ramée | # RAM 0706 | Time: 01:19:57

Madame d'amours is an enchanting and pleasingly varied collection of pieces performed for flute consort by The Attaignant Consort. The Consort was founded in 1998 by four graduates (from Australia, France, the Netherlands and Italy) of the Royal Conservatorium in The Hague. Having studied historical flute performance practice under Barthold Kuijken and/or Wilbert Hazelzet, these experts (they also work with such renowned groups as Les Musiciens du Louvre, Freiburger Barockorchester and Musica Antiqua Köln – amongst others) also pursue their passion for the sound world of the Renaissance flute in collaboration with Italian flute maker, Giovanni Tardino. The premise of all concerned is that such consort music aspired to a closeness to the patterns and intonations of the human voice. This was (and is, here) achieved by careful attention to instrumental articulation, expressiveness and dynamic shading. The Attaignant Consort likes to play with facsimiles of the original parts in preference to scores; and from memory whenever possible. For this recording the Consort is joined by harpist Marta Graziolino, lutanist Nigel North and flautist Mathieu Langlois.