Spain's José Maria Sanz Beltrán, aka Loquillo, is a popular rock vocalist who came to prominence as the lead singer of the rockabilly- and punk-influenced band Loquillo y los Trogloditas. Born in Barcelona on December 22, 1960, Loquillo came from a working-class family that resided in the blue-collar neighborhood of Clot. An active athlete in his youth, he was a member of the youth basketball team of Badalona. It was thanks to his budding athletic career that he was noticed and given a shot in the entertainment world. In 1980, a rep from the Cuspide media company saw Beltrán (by then going under the stage name Loquillo) on television…
The British band the Immaculate Fools became so popular in Spain that they eventually moved there. Formed in London, England, in 1984, the Immaculate Fools was comprised of Kevin Weatherill (lead vocals, acoustic guitar, harmonica, bass), Paul Weatherill (acoustic bass, backing vocals, percussion), Brian Betts (acoustic guitar, slide guitar, percussion, mandolin), and Barry Wickens (violin, dulcimer, acoustic guitar, accordion). Although the group landed on the charts in Britain, their hybrid of Celtic music, folk, and alternative rock found even more success in Spain and Germany. In 1987, their LP Dumb Poet was released in America by A&M Records and the Psychedelic Furs-esque track "Tragic Comedy" was a minor hit on college radio.
Two glorious Czech masterpieces are presented on this 2014 release from Alpha, performed on period instruments by the exceptional Anima Eterna Brugge, directed by Jos van Immerseel. Considering that Antonín Dvorák's Symphony No. 9 in E minor, "From the New World" was completed in 1893, and Leos Janácek's Sinfonietta dates from 1926, and the period instruments movement mostly has been concerned with Baroque and Classical era works, original instrumentation might strike some listeners as odd. Yet performances in the late 19th and early 20th centuries called for instruments that differ substantially in construction and tone quality from modern models, and the variety of timbres was much greater with handmade instruments than the homogenized sounds of today's mass-produced woodwinds and brass.
Following the two volumes of the Guide des Instruments, RICERCAR goes further into the knowledge of several instruments and their specific repertoire. It was in 1817 that the instrument maker Halary invented this instrument whose low register prefigures the tuba. Integrated into the orchestra by Berlioz, the ophicleide was also used in church to accompany the plainchant and quite present in military bands. But it also benefitted from a solo repertoire in the concerto genre as well as in chamber music. Patrick Wibart impresses with his total mastery of the instrument and the flexibility of his playing. To be discovered imperatively.