2023 Ecm

Frozen Silence is the third ECM release from alto saxophonist Maciej Obara’s Polish-Norwegian quartet bringing the story forward from Unloved and Three Crowns – and perhaps its strongest musical statement to date. Alert interactivity is the hallmark of the group’s approach in a programme of new Obara compositions inspired by the starkly dramatic landscapes of the mountainous Karkonosze region in south-west Poland. All four players make decisive contributions to the music. The pieces optimally highlight Maciej’s intuitive musical relationship with pianist Dominik Wania, while bassist Ole Morten Vågan and drummer Gard Nilssen continually transcend rhythm section roles to inject powerful ideas of their own. The album was recorded in Oslo in June 2022, and produced by Manfred Eicher.

Named for the Grateful Dead song that concludes this inspired double album, Uncle John’s Band features masterful guitarist John Scofield at his most freewheeling. Wide ranging repertoire finds his trio with Vicente Archer and Bill Stewart tackling material from Dylan’s “Mr Tambourine Man” to Neil Young’s “Old Man”, from Leonard Bernstein’s “Somewhere” to the Miles Davis Birth of the Cool classic “Budo”. And jazz standards including “Stairway to the Stars” and “Ray’s Idea” rub shoulders with seven Scofield originals that are variously swing, funk and folk-inflected. The red thread through the programme is the trio’s tremendous improvisational verve. “I feel like we can go anywhere,” says John Scofield of the group’s multi-directional versatility. Uncle John’s Band was recorded at Clubhouse Studio in Rhinebeck, New York, in August 2022.

Named for the Grateful Dead song that concludes this inspired double album, Uncle John’s Band features masterful guitarist John Scofield at his most freewheeling. Wide ranging repertoire finds his trio with Vicente Archer and Bill Stewart tackling material from Dylan’s “Mr Tambourine Man” to Neil Young’s “Old Man”, from Leonard Bernstein’s “Somewhere” to the Miles Davis Birth of the Cool classic “Budo”. And jazz standards including “Stairway to the Stars” and “Ray’s Idea” rub shoulders with seven Scofield originals that are variously swing, funk and folk-inflected. The red thread through the programme is the trio’s tremendous improvisational verve. “I feel like we can go anywhere,” says John Scofield of the group’s multi-directional versatility. Uncle John’s Band was recorded at Clubhouse Studio in Rhinebeck, New York, in August 2022.

The Bobo Stenson Trio’s ability of covering far-reaching idioms and wide-ranging repertoire within the scope of their personal diction has become both hallmark and custom, inspiring the New York Times to say the pianist “makes sublime piano-trio records without over-playing. It’s pulsating, with long improvised phrases; it’s alive.” Charting an equally subtle and idiosyncratic path through originals and melodies derived from various Scandinavian composers, the distinguished group proves of a particularly supple alchemy on Sphere.

Ralph Alessi’s fourth appearance as a leader for the label follows a singular album run that’s been met with nothing but praise from The New York Times to The Guardian. The latter lauded Ralph’s previous recording Imaginary Friends (2019) for its “elegant balance of poignant, playful original compositions and gracefully probing improv” and declared it “his best album yet”. It’s Always Now however brims with arguments that there is a new contender for that title. On his new album, Alessi’s unique tone is as limber, piercing and present as ever, enveloped by a fresh quartet line-up – pianist Florian Weber, Bänz Oester on bass and drummer Gerry Hemingway – that navigates through the trumpeter’s idiosyncratically swinging compositions with a sixth sense.

Tractus emphasizes Arvo Pärt compositions that blend the timbres of choir and string orchestra. New versions predominate, with focused performances from the Tallinn Chamber Orchestra and the Estonian Philharmonic Chamber Choir under Tõnu Kaljuste’s direction that invite alert and concentrated listening. From the opening composition Littlemore Tractus, which takes as its starting point consoling reflections from a sermon by John Henry Newman, the idea of change, transfiguration and renewal resonates, setting a tone for a recording whose character is one of summing up, looking inward, and reconciling with the past.

Cantando continues Stenson's twenty-year relationship with Anders Jormin. A virtuosic player with remarkable extended techniques, his relationship with Stenson has always been that of an equal—his singing double-bass as much a factor in defining the trio's unique complexion as Stenson's own ability to bring unerring lyricism to even the most open-ended context. Jormin has also been responsible for introducing compelling material, including that of Cuban singer/composer Silvio Rodriguez, whose "Olivia" opens Cantando with the perfect combination of melodic resonance and liberal interpretation.

This powerful New Series album represents “a résumé and a departure” for Thomas Zehetmair, a summing up of his work with the Royal Northern Sinfonia. In his years as Music Director of the British chamber orchestra, Zehetmair was noted both for bringing compelling new music into the repertoire and for insightful performances of classical and modern composition, qualities very much in evidence on this concert recording from The Sage, Gateshead. The album opens with John Casken’s double concerto That Subtle Knot, written in 2012-3 for Zehetmair, Ruth Killius and the Northern Sinfonia. Inspired by the poetry of John Donne, the composition establishes a broad arc between the English Renaissance and music of today. Ruth Killius shines in a revelatory performance of Bartók’s Viola Concerto, and Zehetmair as conductor fully brings out what liner note writer Giselher Schubert describes as “the juggernaut propulsive thrust” of Beethoven’s Symphony No. 5.