Arguably the first consistently strong album Fleetwood Mac ever recorded – all the way back into the Peter Green/Jeremy Spencer era, the Mac's albums had previously consisted of individual moments of brilliance in a sea of uninspired filler – 1972's Bare Trees is also the album where the band finally defines its post-blues musical personality…
Although punk rock's furious revolution threatened to overthrow rock's old guard in 1977, bands like Foreigner came along and proved that there was plenty of room in the marketplace for both the violent, upstart minimalism of punk and the airbrushed slickness of what would be called "arena rock." Along with Boston, Journey, Heart, and others, Foreigner celebrated professionalism over raw emotion…
Double Vision is the second studio album by the British-American rock band Foreigner, released on 20 June 1978 by Atlantic Records. Recorded between December 1977 and March 1978, it was Foreigner's only album co-produced by Keith Olsen and the last recording with bass guitarist Ed Gagliardi who would be later replaced by Rick Wills…
Producer Bob Belden has turned reinventing the music of Miles Davis into a cottage industry, taking Davis to India for 2008’s Miles from India, and more recently Belden has given us Asiento, which re-imagined Bitches Brew as a slice of electronica. Now he gives us Miles Español, which finds Belden pairing veterans of Davis' various bands with musicians from Spain, Morocco, and Latin America on classic tracks from Davis' Sketches of Spain and Kind of Blue albums. Hearing Davis compositions with oud, bassoon, accordion, and bongos is certainly exotic and interesting, but one longs for the elegant, stately grace of the original albums.
The Eagles recorded their albums relatively quickly in their first years of existence, their LPs succeeding each other by less than a year. One of These Nights, their fourth album, was released in June 1975, more than 14 months after its predecessor…
Three years in the making (which was considered an eternity in the '70s), the Eagles' follow-up to the massively successful, critically acclaimed Hotel California was a major disappointment, even though it sold several million copies and threw off three hit singles. Those singles, in fact, provide some insight into the record. "Heartache Tonight" was an old-fashioned rock & roll song sung by Glenn Frey, while "I Can't Tell You Why" was a delicate ballad by Timothy B. Schmit, the band's newest member. Only "The Long Run," a conventional pop/rock tune with a Stax Records R&B flavor, bore the stamp and vocal signature of Don Henley, who had largely taken the reins of the band on Hotel California. Henley also dominated The Long Run, getting co-writing credits on nine of the ten songs, singing five lead vocals, and sharing another two with Frey…
Skid Row were one of the very last hair metal bands to hit the mainstream before grunge took over in the early '90s. While the band's self-titled debut employed standard pop-metal riffs and generic lyrics (albeit to great commercial success), 1991's Slave to the Grind and 1995's Subhuman Race broke away from the pop-metal mold with uncharacteristically hard, thrashy guitars and unique songwriting techniques…