23 Things They Don't Tell You About Capitalism

Various Artists - Let Me Tell You About The Blues - Nashville: The Evolution Of Nashville Blues (2010) {3 CD Box Set}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 571 Mb | MP3 @320 -> 416 Mb
Full Artwork @ 300 dpi (png) -> 109 Mb | 5% repair rar
© 2010 Fantastic Voyage / Future Noise Music Ltd. | FVTD078
Blues / Regional Blues

Mention Nashville and the first thing that enters most minds will be Country Music and the Grand Ole Opry. Then again, for true believers the city is also the nation’s centre for Bible publishing. Perhaps less well-known but in striking contrast to God and double-knit suits is that throughout the late 1940s and 1950s, Nashville was also the home of a thriving blues and R&B recording industry. Principal among the labels were Bullet, Republic, Tennessee, Nashboro and Excello, with a welter of smaller ones such as World, Mecca, J-B and Cheker.

Various Artists - Let Me Tell You About The Blues - New York: The Evolution Of New York Blues (2009) {3 CD Box Set}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 682 Mb | MP3 @320 -> 479 Mb
Full Artwork @ 300 dpi (png) -> 125 Mb | 5% repair rar
© 2009 Fantastic Voyage / Future Noise Music Ltd. | FVTD030
Blues / Regional Blues

The blues recording industry began in New York City and for most of the 1920s, musicians travelled from all parts of the country to make their mark in the recording studio. Bessie Smith and Ma Rainey were amongst the most popular female singers but they were soon rivaled by the likes of Lonnie Johnson, Robert ‘Barbecue Bob’ Hicks, Texas Alexander and Mississippi John Hurt. Kansas Joe McCoy cut ‘When The Levee Breaks’, justly famous in its Led Zeppelin incarnation, in the city.

Various Artists - Let Me Tell You About The Blues - Chicago: The Evolution Of Chicago Blues 1925-1958 (2009) {3 CD Box Set}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 717 Mb | MP3 @320 -> 496 Mb
Full Artwork @ 300 dpi (png) -> 122 Mb | 5% repair rar
© 1925-58, 2009 Fantastic Voyage / Future Noise Music Ltd. | FVTD012
Blues / Regional Blues

People call Chicago The Home Of The Blues. It may not be where the blues came from but it s where the blues came to live. It’s the place where Muddy Waters, Howlin’ Wolf and Jimmy Reed laid down the songs that inspired the Rolling Stones and the Yardbirds. The blues was the bedrock on which Jimmy Page created Led Zeppelin, the band that helped to change pop music forever. Chicago was the mecca for Buddy Guy, Otis Rush, Magic Sam, Elmore James and a host of others who arrived in the city to make their fortune. The process had begun decades earlier, when record companies first came to town.

Various Artists - Let Me Tell You About The Blues - Texas: The Evolution Of Texas Blues (2010) {3 CD Box Set}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 528 Mb | MP3 @320 -> 448 Mb
Full Artwork @ 300 dpi (png) -> 125 Mb | 5% repair rar
© 2010 Fantastic Voyage / Future Noise Music Ltd. | FVTD047
Blues / Regional Blues

‘The blues come to Texas, loping like a mule,’ Blind Lemon Jefferson sang through a shower of surface noise as he made his recording debut in March 1926. He established the primacy of Texas blues musicians that continued unchallenged for the next 30 years, encompassing the likes of Henry ‘Ragtime’ Thomas, Texas Alexander, T-Bone Walker, Smokey Hogg, Lightnin’ Hopkins, Clarence ‘Gatemouth’ Brown, Clarence Garlow, Lil’ Son Jackson, Lowell Fulson and Frankie Lee Sims. Other famous musicians recorded when they were passing through Texas, and that included Lonnie Johnson, Walter Davis, The Mississippi Sheiks, Robert Johnson, Roy Brown, Joe Turner, Honeyboy Edwards, Memphis Slim and Jimmy McCracklin.

Various Artists - Let Me Tell You About The Blues - Atlanta: The Evolution Of Atlanta Blues (2010) {3 CD Box Set}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 562 Mb | MP3 @320 -> 453 Mb
Full Artwork @ 300 dpi (png) -> 146 Mb | 5% repair rar
© 2010 Fantastic Voyage / Future Noise Music Ltd. | FVTD055
Blues / Regional Blues

Like Memphis, Tennessee, Atlanta was a staging post for itinerant musicians and like Memphis, it was home to an impressive number of guitarists who established a very distinctive style of playing that became synonymous with the city. It was also the location for the first country blues artist, Ed Andrews, to be recorded. Three years later, Julius Daniels was the first Carolina bluesman to record. Atlanta was also a recording centre for out-of-state artists such as Blind Lemon Jefferson, Bo Carter, the Memphis Jug Band, Blind Willie Johnson and Hambone Willie Newbern. A further school of blues gathered around Peg Leg Howell and Eddie Anthony.